Vampire trivia --- This is heaven --- Teaser (14)

The vampire kids that we met earlier show up again. Main characters here are John (narrator), Alex (Main object of desire), Maurice (the third musketeer), and Taylor, a vampire kid & nerd & homophobic to boot. Maurice has been charged thinking up questions for today's criterion of the Festival, which is about vampire trivia. Let's see where this leads us.


The cell-phone rang.

It’s Maurice. He’s stuck. Writer’s block. He can’t think of anything decent, trivia-wise. Nothing with a snap-your-finger feel. “Does it matter?” I ask.

“Certainly,” he says, “that’s why we are in the business of writing, isn’t it, to feel inspired, and by feeling inspired becoming more inspired.”
“You sound like an expensive graduate course of something,” I say.

He falls silent.

“I’m sorry,” I say, “I apologize. I went too far.”
“Indeed,” he says.
“The trivia,” I say. “Think of it as a commission. Quick and dirty. Deadline approaching, copy editor leering over your shoulder.”
“Well, nobody is leering over my shoulder.”
“Ben still asleep?”
“Indeed.”
“Hold the line,” I say.

Robert Pattinson in Twilight

‘Hold the line,’ I said, because Juliette’s friends are upon us, the children of vampire trivia. “We missed you yesterday,” Alex has said to them in the meantime.

Michael in Mein schwules Auge 13

The first chapter of the Green Eyes---the chapter Michael didn't dare to include in his book, the account of a cruisin' encounter he feared would "discomfort or even harm" some readers---appears in the German yearbook Mein Schwules Auge 13, which is out today. It's beautifully illustrated with work by  Piotr Urbaniak, here's one example:

Charming, isn't it? 

Our contribution is in English, by the way, not German. Teaser? Okay:

A shadow enters my periphery of vision. Anybody who cares? Yes, a lank, blond, crew-cut guy. Perhaps he’s heard my screams and got interested. He’s shocked. No, he isn’t, he’s just curious. A tumescence builds in his trunks and develops its own life...

You can order the volume here.

"The Old New World" (Photo-based animation project) from seccovan on Vimeo.

Silence of the lambs (Glenn)

The rain in Spain falls mainly in the plain

Yes, we've been off to Spain for a few days. This picture was taken in Zahara de los Antunes, on the Atlantic coast.

(And while we are at it (picture taken in the same location):)

Italian for beginners

"Lasciate ogni speranza, voi ch'entrate!"

Hillary, can you hear us?... (reposted)

After disappointing debate performance, Trump "threatens" to make Bill Clinton's marital infidelity a campaign issue. So, let's re-post this:

We're keenly following the US election campaign, including Hillary Clinton's preparations for the televised debates between her and Donald Trump. The communis opinio appears to be that Trump will throw any conceivable dirt at her, including Bill Clinton's affair with Monica Levinsky. What should be her answer? 

Flame-red and wind-tossed are always the preferred color --- This is heaven --- teaser (12)

So, Ben has been tricked by Alex into answering this outcall, and the next morning we're told by Brigittå Haagen Dasz, the erotic writer, what happened next. Hold on: this fragment also has the first authentic description of John's looks. Enjoy:   


“So, let me tell you the story,” she say when she’s back. “Yesterday evening, we return to the hotel, the Lupo di Mare, the auberge of Italianate style nestled squarely near the central traffic circle of this charming seaside town. My Håågen feels exhausted, the good man and husband, but he’s so kind to offer me a spousal refreshment at the bar. I know my Håågen and send him off to bed where sweet dreams will soon engulf him and/or usher him into Morpheus’s arms.”

Cover of a book by Susan Johnson,
the writer who provided the model
for Brigitta Haagen-Dasz

She interrupts herself. “No, drop the ‘and/or,’ let’s say 'will soon engulf him and take him into Morpheus's arms.' Be this as it may, I am content to spend a few minutes alone with the drink and my poetic musings, yet find myself soon distracted by a current of lush air wafting into the room. The patio door flung open and there comes a woman, the hair flame red, the curls wind-tossed, the striding apparition of a true equestrian gliding on eloquent thighs through the late-night crowd. She alights on the bar stool next to yours truly. Her voice is lazy with provocation as she speaks more to me than to the tender of the bar when she says: ‘I would fancy something stiff and strong and tonight.”
‘Amaretto,’ I reply instinctively, feeling a sudden craving for the sweet-night liqueur of carnal reputation. She giggles knowingly. 
‘Not exactly a drink one would think of as stiff, but the best aphrodisiac know to sisters,’ she answers. She orders two glasses of the amber-colored stimulant. It transpires presently that her name is Jane.”

Sorry to disturb you

What does it mean in the age of Donald Trump, "ethically?"

Watch yourself

Find a caption (Bürchen, today)

Marcel

So we go for a walk along the Augstbord water pipe, a duct that exists since 1320 and distributes meltwater among the villages in the neighborhood. Last time we visited was 8 years ago, when we got almost killed by falling rock (Michael, for unclear reasons, had stopped walking, perhaps waiting for Chang behind him, and 6 seconds later, at the exact location were he would have been, a massive rock slipped and would have killed him---not making this up). So we avoided the trail for superstitious reasons, but then Chang got his new Nikon D3300, and we had to go.

Click for a larger picture

It's funny how memory works. You don't remember anything about the trail 8 years later, save for the falling rock, but then, five minutes into the hike, things come back, and you recall having walked past this house (the Swiss call it "Hütte" --- hut). Last time, you remember, the structure was empty, or abandoned. This time, a dog (center) charges down the slope, barking, and, upon arrival, turns immediately on its back in expectation of cuddling and caresses. 

We continue. We're above the Matter valley at ca. 2100 m (Zermatt and Matterhorn are up the valley to the south (to the right of the picture), and frontal you have the entrance to the Saas valley that plays such an important role in Michael's story The Fountain of Geneva (Roman Emperor Hadrian, a shadow of Antinous, an erotic SWAT team, crazy Vikings).

A thunderstorm breaks (almost), we turn around. There's the dog again, plus his master, Marcel. "She has her beauty from me," Marcel opens the conversation (he means the dog, a Border Collie mutt). Marcel is a cowboy, really, he guards cows during the summer, and lives here. We talk about (a) language, how the Swiss dialect relates to ancient German, (b) the locals (god-fearing, superstitious Catholics, still), (c) afterlife, and (d) we promise to be back soon with a bottle of Fendant, the favored local wine (also mentioned in Michael's story). Later, during dinner at the Moosalp, the favored local restaurant, Carmen, the publican, tells us that Marcel writes plays.

Haha

(Hat tip: Homo Desiribus)

Fragment, fragment! Here, from This Is Heaven, Ch 27, "We need a room," (John & Taylor together)

(Early on in the chapter, before anything happened:) 

The room is in the same wing as Juliette’s (and Barbette’s I guess). The view is the same as well; we could see Africa if the world were flat. We bolt the door. We stare at the room: king-sized bed, closet, balcony window with A/C underneath, mini-desk along the wall with a flat-screen TV. Above the bed—-some anarchist decorator must have done this—-hangs a framed poster of the White Star Line about the maiden voyage of the Titanic. 

(It has happened now:) 

“The earthquake is over,” I say and withdraw. We’re lying side by side now, reeking of salty cum, unable to lift a limb, gasping, but otherwise silent. Everybody is silent. The children have stopped squeaking, the couples have made up, the bedheads are at rest. You could hear a pin drop. No pin drops. 

“You think they were listening?” he asks.

“So to hear,” I say. He laughs.

We’ve discussed this before. Up here, in our heads, us males get back to normal very quickly. 

“One more time?” Taylor asks.

“I’d take this as a compliment,” I say.

“Meaning?”

“Let’s cherish the memory.”

“This was the best sex in my life,” Taylor says.

“I thought it was your first time?”

“So, I’m right by definition.”

“You sound like Alex,” I says.

“Alex,” he muses. “Come to think of it. Alex. Ten inches.” 

He rises, steps into drawers, shorts, T-shirt, sneakers, horn-rimmed spectacles, collects his Marlboroughs, and says: “I think I’ll go now. Spread the good news.” He points at something above my head, above the headrest. There it still hangs, the Titanic, its frame severely off-kilter. “See you later,” Taylor adds.

In the woods and on the heath --- another book of prayers --- by Jan v. Rijn

Cool, folks, cool, we're in Jan v. Rijn's highly bibliophile book "In the woods and on the heath." And it's not, as you might expect, another explicit exercise. No, it is, as the subtitle says, "another book of prayers," so more in the old-school, Aubrey Beardsley style of cheeky suggestion. Jan's drawings are subtle, elaborate, time-consuming, black-and-white, and AROUSING! Michael is not the only author, there are contributions by Paul Eluard, Louis Aragon, Vanessa de Largie, and many others. 

Here's one of Michael's stories, accompanied by the corresponding picture. The story was written after Michael saw the picture, and the hero of his tale, Jeffrey, really is a spitting image of Jan's model. And as so often with Michael's work, the story is mostly true. Enjoy.  

Jennifer

The town house was located in an off-center residential street of Amsterdam inside its own red-light bubble: Blue Boys said the neon-sign on the façade. Jeffrey was one of the boys, although he’d come into the picture only after I’d failed to talk up a hot guy who sat behind the improvised bar on the second floor and assured me he’s a customer himself. 

The sex with Jeffrey on the third floor was so-so, so we had time to talk. He’d just enrolled with the Blue Boys because he had no place to stay, and no money, and a bright future with me—-if he could stay with me, that is, at my place, which wasn’t far.

Jeffrey spent one more working night at the brothel and then we had sex one more time, although I failed to penetrate. He pushed me away, wrapping himself in the blanket. I don’t remember how I came.

We separated, and he would sleep in the second bedroom. He’d “help,” or “contribute”—-he’d keep the place clean, which he did very well. 

My friends would comment on him, especially my female friends. He’s beautiful, they’d say.

On Saturdays he’d ask me to give him a ride to the acting school for poor boys/gals. “Cycle faster,” he’d say while sitting on the luggage rack behind me; he was from South-Africa.

We’d organize parties with his class mates and his new boyfriends. He had a Moroccan class mate, Muhammed, who’d complain later that the gals would never leave him alone and that he had to have sex in the spare bedroom, early-on during the feast, under the cover of the guest’s overcoats, and then more sex with somebody else later on, and it wouldn't stop; he didn’t look the part.


Jeffrey needed the money that I didn’t give him, but then he remembered Phillip, who had more money and was much older. I spent a lot of face time with Phillip while both of us were waiting for Jeffrey to show up. Phillip made his money running drugs but he’d always been honest with his clients, I learned. And he was addicted to Jeffrey.

We're gonna build a henhouse. I build the best henhouses. And we're gonna make the foxes pay for it! (Glenn)

Italian for beginners --- an Italian review of the Green Eyes

Cool folks, cool, we have an Italian review of the GREEN EYES in:

The downside of international fame is of course that---(terrible sentence)---that you don't understand what people are saying until you invoke Google translate---and even then. But the Italian sounds so much better.

Questa è la trama del romanzo di Michael Ampersant, ma se pensate che sia sufficiente per capire il valore, e la complessità del testo vi sbagliate. C’è molto altro in Green Eyes: c’è il sesso – esplicito e sconcio, ma no per questo volgare-, ci sono i riferimenti culturali, le citazioni, c’è ingiustizia che ancora oggi chi è gay subisce e c’è una scrittura, che nel suo stile sintetico che a me piace tanto, è in grado di suscitare nel lettore un miscuglio di emozioni e sensazioni pazzesche. 

Sono tanti, o forse è meglio dire diversi, i personaggi che John incontro lungo la sua ricerca di una vita diversa da quella attuale, ma Maurice, un turista inglese, è quello che più di tutto acquista importanza ai fini della storia. Infatti viene violentato da un poliziotto, in una scena vivida che sconcerta e fa incazzare.

Doesn't it?

The sunset this evening

We sat down with Queer Voices

Cool, folks, we have an interview with Queer Voices, a fairly large outlet by our modest standards. Have a look.

Okay, here's one question and one partial answer from the interview:

Q: Do you have a favorite author? Your writing is unique.

A: Mark Twain would be the most important author. I really aim to poke fun at the world the way he does (I must have read Tom Sawyer 20 times). My writing style reflects in some sense my difficulties with the English language; it’s not wholly intended, and it’s not Twain’s style, of course. I can construct long sentences since I’m German, but often do I stumble, and the process of getting back on my feet, that’s also reflected in my style.

Mark Twain