Happy Easter

Taurus (Jezza Smilez)

(Click here for Jezza's website)

San Francisco (13) --- A walk across the Berkeley campus (Teaser: "Freedom Fries")

University of California, Berkeley---market stand near the entrance

So we're visiting Berkeley across the bay and in particular the campus of UCB, because our first, still unfinished novel "Freedom Fries" is partially set there, with Pamela Woods (fictional) as the dean of Berkeley Law School, John Yoo (real; the legal brain behind the Bush/Cheney waterboarding policy) on the faculty of said school, and a harebrained subplot to abduct Yoo and somehow press him to confess to evil deeds, preferably not by waterboarding. In order to execute the plan we need to know where Yoo parks his car. Zack, Leona and Liz are co-conspirators, and Justin Bieber (fictional) is the school's vice dean; the plot is set in 2009, the year (or more precisely the week) that Justin Bieber, the Canadian singer, finally breaks through.

Not the parking lot of Berkeley  Law School ...

They need to know where Yoo parks his car; else the plan would not work. He has stopped using the parking garage in the basement, and the rumor mill---a defective tool in Yoo’s case with his few friends---the rumor mill has it that he is upset by hostile bumper stickers on his Lexus and scared of water-boarding related scratches.

... but the parking lot of the physics department (you can read it, right: it says: "Parking space reserved for Nobel Laureate.") 

Zack and Leona are at Barbara’s cabin, Liz is studying Supreme Court opinions, Jim is helping her, somebody has to find out. It is fairly urgent. She collects the secret phone---Zack could call any minute now---hides it in her bag, and leaves the office. She will take up position in the lobby, where she will play the Populist Dean. The populist dean is expected of her anyhow, occasionally, and her performance is not without merit (despite mixed reviews), especially on Friday afternoons when people want to go home early, an inclination she applauds with one hand and dismisses with the other. Anyhow, there she stands, expansive as always (not always, only since twenty years), dispensing kisses, Hi’s, compliments (“you look great”), compliments (“you look great”), feedback (“we missed you at the budget meeting, where were you”), more compliments (“where did you get that tan?”), as her academic subjects are drifting toward TGI weekend.

Handsheets for the erotic writer (6) --- from Catherine Millet to James Joyce

Not really a handsheet, but anyhow:

We haven't seriously researched this, but writing style is not different from finger prints or irises, every author has her own. And the spread of the distribution is wider, think of comparing the foot print of a dinosaur with the touch of an ant or the mark of a rabbit (even inside a genre, just compare erotic writers Susan Johnson and Ludmilla Sanders).

We had this idea to look at a few female erotic authors, their rendering of the climax, the crest, the moment, when he

brings you off with that extraordinary precision soon unbearable, sooner or later after having you mounted with the vacant expression of a mating animal, having you kept there for an hour with his extraordinary erotic fabulations, perhaps after he would have tried out the most acrobatic positions, and the most improbable substitutes (cucumbers, sausages, Perrier bottles, a policeman's luminous white trunchheon), and then he would suddenly become quiet a few moments before orgasm...

...and compose all this into a report of last night's meeting of minds and bodies of John ("Ben") Fletcher and erotic author Brigitta Haagen-Dasz in the second part of the Green Eyes.

Yes, along those lines, more or less, although we'd like it to be a bit more poetic.

Let's think.

Okay, let's proceed this way, let's try to apply a simple elimination filter, not really modifying anything, just eliminating unnecessary, extraneous, or otherwise irritating expressions.

Catherine Millet at home

So, for example, let's not employ the verbification (yes, it exists, and an ugly word it is) the verbification of climax.

By the way, all expressions above are from Catherine Millet, founder and editor of France's leading art magazine Art Press, you may have heard of her and her book The sexual life of Catherine M. It is---spoiler alert---extraordinary---her book, and there's this familiar clustering of superlatives that we will now try to tackle:

Tuesday matinée

(Bobby Jones)

Green Eyes (teaser) --- Germans playing Monopoly

Apologies, apologies, this has nothing to do with the Green Eyes, except that we played Monopoly once, with Sacha, the model for Jack Horn in the novel, and it ended in tears like this (I was Karl Marx)  (click to enlarge):


(find a few lines from the Jack Horn chapter underneath)

San Francisco (12) --- Bullit

While Chang and I were strolling through San Francisco yesterday, the conversation turned to the peculiarities of the street layout here, each street being its own turnpike, as it were, connecting A and B like Alpha Romeos would in the old days, no, wrong, we mean via the shortest route afforded by Euclidean geometry, straight, that is, straight, regardless of the third dimension---and the opportunities this affords to the cinematography of car chases. So here it is---you've certainly seen it a hundred times already---the car chase scene from Bullit, the 1968 movie with Steve McQueen:

It's Obama's fault

(Recent paintings by George W. Bush)

Monday matinée

(I listened to this, in Horowitz's interpretation, perhaps 500 times, so there you have it. My Horowitz was a studio recording; this is a bit slower, and it is somehow even more gripping.)

San Francisco (11) --- Camp Meeker(2)

More from Redwooood Country north of the Bay Area where we are staying during the weekend, thanks to an invite of Karen, our landlady in San Francisco, to her cabin in Camp Meeker.

Karen's cabin in Camp Meeker

Connubial bliss inside Karen's cabin

Sunday matinée

We rearranged the furniture at Karen's cabin a bit.

San Francisco (10) --- Camp Meeker

À la recherche du temps perdu...along those lines: how does one manage to arrive in San Francisco? We apparently can't make it stick. So we're now in Camp Meeker, 1:30 hours north of SF, in serious Redwood country.

Easy

The view from the terrace

We already had dinner at the Bistrot des Garçon in nearby Occidental. 

San Francisco (9)

Harvey Milk, former (and assasinated) gay mayor of San Francisco

(Another picture from the superb artist Tony de Carlo, whom we discovered lately)

Go here for the previous San Francisco post

Tony de Carlo

Tony de Carlo: "Bird Man Of The Desert", 18" x 24", Acrylic on Canvas, 2006

(We discovered another superb gay artist, Tony de Carlo; see right column for a link to his site)

San Francisco (8) --- Lufthansa flight 454 (reposted)

We posted this once before, a year ago, in a post "not about erotic writing," and in blissful ignorance of our future. So here it is again, and this time it is about erotic writing, at least in the sense that it is about us, and our flight into the world capital of erotic writing:



It appears to be difficult to arrive in San Francisco once and for all, this is our 8th post already, but anyhow. Watch the clip, it's fascinating.

Go here for the previous SF post, and there for the next.

San Francisco (7) --- Pitch-O-rama (1)

We arrive at San Francisco SFO (San Francisco International Airport, why SFO?) and the international press, the paparazzi ("paps"), the adolescent girls and boys, all of them, there's a riot. A blogger with 390,000 page views comes all the way from Europe and there's a riot. Well, no, sorry, that was Seoul, Korea, the airport, when we got mixed up with a charismatic baseball player.

So we feel un-famous and under-appreciated and seek consolation on the internet and find a page belonging to the San Francisco Writer's Conference. We send them a message about feeling un-famous and under-appreciated and get a prompt reply pointing us to an upcoming pitchfest of the Women's National Book Association San Francisco Chapter on Saturday in the Women's building around the corner from where we reside. It would be an opportunity to "connect." We procrastinate, then sign up via Paypal.

Spoiler alert: a pitchfest is about pitching manuscripts to agents and publishers, and we're in possession of such a manuscript, the Green Eyes, gay romance/erotica, easily the most topical subject when it comes to Women's Lib. We're not, however, in possession of  a printer here in our temporary abode, and the battery of the laptop won't live for longer than a minute when unplugged. So we don't have any material to take to the event, not even a calling card or anything that could get agents and publishers interested in our work. Plus, one of the participating agents, Andy Ross, has a post on his blog about this: he, Andy, would never go to a pitchfest, not as a pitcher at least, since he wouldn't survive the humiliation of being turned down by his colleagues. That decides the case. We will go, but not pitch. Perhaps there's enough in it for another short story. That's what failed writers do, they write about failed writers. Do your research.

We're apprehensive nonetheless, and it starts early, at 8 AM, and it rains, and we overtip the taxi driver out of sheer apprehension. We expect a crowd of young women, multi-faceted, multi-racial, done up in neo-Afro-look, i.e., all looking like Angela Davis waiving Angela-Davis-inspired manuscripts---waiving their manuscripts at us, balding, aging, failed writers of gay porn---think of a wind farm during a hurricane.

Angela Davis

Find a caption (Glenn)

San Francisco (5) Potrero Hill

Potrero Hill, that's where we reside, on 1229 de Haro Street. "Potrero" means paddock in English, and the place probably was a paddock before the city took over. The neighborhood is still Spanish (mostly).

1229, de Haro Street --- we're on the second floor, left (Chang in the left corner) 

Opposite side of the street

Health warning (Glenn)

Saturday matinée: Telegraph Road

Telegraph Avenue or Telegraph Road ... see previous post for an explanation.