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| "Cree Master," Kent Monkman |
(right, you need a close-up; here it is:)
(more art on the Gallery page)
Feb 21, 2015
Feb 14, 2015
Feb 13, 2015
Shades of grey (1) --- Am I hard enough?
Yes, we're going to do it. We have a little feuilleton on the Grey thing. And we start with something nice, the soundtrack. This is from the soundtrack:
I'll never be your beast of burden
My back is broad but it's a hurting
All I want is for you to make love to me
I'll never be your beast of burden
I've walked for miles my feet are hurting
All I want, for you to make love to me
Am I hard enough
Am I rough enough
Am I rich enough
I'm not too blind to see
I'll never be your beast of burden
So let's go home and draw the curtains
Music on the radio
Come on baby make sweet love to me
Am I hard enough
Am I rough enough
Am I rich enough
I'm not too blind to see
Oh little sister
Pretty, pretty, pretty, pretty, girl
Such a pretty, pretty, pretty girl
Come on baby please, please, please
I'll tell ya
You can put me out
On the street
Put me out
With no shoes on my feet
But, put me out, put me out
Put me out of misery
Yeah, all your sickness
I can suck it up
Throw it all at me
I can shrug it off
There's one thing baby
That I don't understand
You keep on telling me
I ain't your kind of man
Ain't I rough enough, ooh baby
Ain't I tough enough
Ain't I rich enough, in love enough
Ooh! Ooh! Please
I'll never be your beast of burden
I'll never be your beast of burden
Never, never, never, never, never, never, never be
I'll never be your beast of burden
I've walked for miles, my feet are hurting
All I want is for you to make love to me
All I want is for you to make love to me
"Dear Diary" ---- Quantum learning (teaser)
Yes, folks, we have been goofing off. It's a bit more complicated, though, but the net effect is that we have no new teasers for This Is Heaven. It's not exactly a writers block (we're at 2/3 of the manuscript already), but there's the need for a creative break. So we started writing on a new---and very old project. It's prose, it's fiction, and it's YA. That's all we can tell in this era of ubiquitous spoiler angst:
(Date?)
Dear Diary :
I can’t really tell you how pleased I am to hold you in my hands, or, more precisely, have you lain out open like a “book” from the old days while sitting on an office contraption that looks modernistic but was described by Xato as an antique heirloom of “the family” when rolled into the room. Xato, who at that point had known me for several hours already, sensed my reservations and looked around for alternative sitting options, but I (who had know him for several hours already), hurried to agree and said: “It will do, Xato.”
“Whatever your preferences,” Xato replied.
Whatever-your-preference…I really ought to call him that, were it not impractical as the name of a young guy that appears on your bedside and introduces himself as your PA (“pee aah?”---“Yes, Miss, pee aah,”---“Really?”---“Oh, excuse me, Miss, that would be ‘personal assistant’”). He then apologizes profusely for the “unscheduled void” of “the family”---and in particular for the “most unfortunate” absence of “The Senator” who had “longed” to be at my side “at this critical juncture” and who had been held back “by the most urgent business of State” but who “had not failed to send his greetings in redemption.”
(Date?)
Dear Diary :
I can’t really tell you how pleased I am to hold you in my hands, or, more precisely, have you lain out open like a “book” from the old days while sitting on an office contraption that looks modernistic but was described by Xato as an antique heirloom of “the family” when rolled into the room. Xato, who at that point had known me for several hours already, sensed my reservations and looked around for alternative sitting options, but I (who had know him for several hours already), hurried to agree and said: “It will do, Xato.”
“Whatever your preferences,” Xato replied.
Whatever-your-preference…I really ought to call him that, were it not impractical as the name of a young guy that appears on your bedside and introduces himself as your PA (“pee aah?”---“Yes, Miss, pee aah,”---“Really?”---“Oh, excuse me, Miss, that would be ‘personal assistant’”). He then apologizes profusely for the “unscheduled void” of “the family”---and in particular for the “most unfortunate” absence of “The Senator” who had “longed” to be at my side “at this critical juncture” and who had been held back “by the most urgent business of State” but who “had not failed to send his greetings in redemption.”
Feb 11, 2015
We have been out to lunch in inexcusable ways, but it's not entirely our fault...
...which google-translates into...
habuimus ad prandium inexcusabili vias tantum sed non culpam
...which google-translates into...
we had lunch at the only ways inexcusable but not a fault
...which google-translates into...
non solum ad mores edimus prandium inexcusabili culpa
...which google-translates into...
not only to the character we had lunch inexcusable fault
...which google-translates into...
non solum per respectum ad indolem edimus prandium inexcusabili culpa
...which google-translates into...
not only with respect to the nature of the inexcusable fault we had lunch
...which google-translates into...
non solum quantum ad rationem culpae edimus prandium inexcusabili
...which google-translates into...
not only with respect to the notion of inexcusable fault we had lunch
...which google-translates into...
non solum quantum ad rationem culpae edimus prandium inexcusabili
...and so, folks, we've reached a fixed point, the ninth application of the translation function is idempotent, applying the function again and again doesn't change the result:
not only with respect to the notion of inexcusable fault we had lunch
There's order in madness.
One wonders whether all google-translations reach a fixed point (exercise left to the reader).
Jan 15, 2015
Jan 8, 2015
French for beginners (Sacha)
 |
| (From the pages of Charlie Hebo) |
And the corresponding fragment from the Green Eyes? No prob, bro. Étant donné (given that) the depiction of the auteur (self-centered film-maker) is Jean-Luc Godart, author of Pierrot le Fou, and other nouvelle vague movies.
Here goes (beginning of Ch. 23 of Part I, titled "In flagrante masterclass"):
There isn’t much left of Gohard's casual-ceremonial ways, the dildo has him in its grip, or counter grip, whatever. And while the situation is serious enough, I can’t suppress another collateral thought, this one involving the washed-up scriptwriter and an art house flick in which Gohard would try to answer the doorbell now, dildo and all, somehow haunching to the door, shifting from leg to leg, perhaps groaning. He reaches the door, opens it, and gulps “Hilfe.” (Come to think of it, didn't Godard (Jean-Luc, not Gohard) make a movie exactly like this, with Woody Allen as a peripatetic porn star and a peripatetic flower pot that’s always blotting the view of the adult parts of the unfolding drama? Did Allen survive?)
The door bell rings again. So it’s the postman. No, it’s Sunday. No, it’s Monday. It's not for nothing that us escorts are paid well—if we are paid at all—there's so much learning by doing involved. Shall we open the door? My budging A-level instincts tell me to stay put. Godehard moans softly, it's unclear whether he's praying or trying to say something. He rolls his head, that's what Buddhist monks do a lot.
We expect the echo of a failed doorbell initiative, silence followed by departing footfalls. Instead we get the clanky noise of metal on metal. There's something tentative to this, perhaps it’s a burglar who’s been pushing the bell to see whether the residents are at home and is wielding a picklock now. Godehart can't really roll his head any more. In flagrante masterclass.
I wonder whether the burglar could sue us for emotional damage done to him as he unsuspectingly tumbles upon harmful obscenity. While I thus wonder, the door swings open and clear, female eyes, enhanced by manly glasses, come into focus. Dr. Dyke.
Godehart can't speak at the moment, but Dyke can, presumably, although she doesn't. She ceases all activity whilst her medical mind assesses the situation. There she stands. It would be an understatement to say that we stared at each other (the more so because Godehart cannot really participate, his eyes left to dangle at the pond boys on the wall).
What's the washed-up scriptwriter doing in all this? He has a writer's block, I have to carry on alone. When you're in a hole, stop digging. That's perhaps a good idea, the more so since you’re in panic and can’t recall Dyke's real name, it could be a bad idea to use her moniker at this delicate hour. When we met for the first time, Dyke and I, her first words were "Your work?" That was twelve hours ago. What will she say now? Will she ever speak again?
"Your work?" she asks.
"Welcome to Godehart Wagner's home," I reply, one of my better lines today.
"I'm unsurprised," she says.
"Que sera, sera," I say—what can I say, there's no way to take this seriously. Even the dildo victim sports a smirk on his lips, a painful smirk at that, but a smirk nonetheless. Even the washed-up scriptwriter chimes in, we hear Doris Day singing in the background.
 |
| "click" |
Jan 5, 2015
Jan 4, 2015
Dec 31, 2014
Last words of the year --- This is heaven
Just writing (last words of the year in the This-Is-Heaven manuscript, we're in Chapter 29, the boys prepping Godehart for the debate of the third day of the festival):
“Where did you get these undies?” Maurice asks.
Ben wears different briefs today, not the muchacho graffiti, but a pattern-repeat design of naked men in celibate poses printed Delft-blue on a white background. “Oohh,” Ben says, walks stiffly up to the counter. Godehart follows his every movement, the tight procession of the bubble butt, the spiel of Ben’s triceps as he works the percolator can, a stray ray of sun meandering on his skin (not to mention the effortless stretch of his abs under the band of the wallpaper briefs).
“Where did you get these undies?” Maurice repeats.
“Bonus payment,” Ben answers.
He disappears in my chamber, returns with a slip of paper, check-size, hands it to me. "Three thousand dollars," I read. "Name field blank. We can cash it immediately."
"Oohh," Ben says.
These were a few words from the second part of the GREEN EYES. And you know what? Part I is available as ebook now, here, under this link:
“Where did you get these undies?” Maurice asks.
Ben wears different briefs today, not the muchacho graffiti, but a pattern-repeat design of naked men in celibate poses printed Delft-blue on a white background. “Oohh,” Ben says, walks stiffly up to the counter. Godehart follows his every movement, the tight procession of the bubble butt, the spiel of Ben’s triceps as he works the percolator can, a stray ray of sun meandering on his skin (not to mention the effortless stretch of his abs under the band of the wallpaper briefs).
“Where did you get these undies?” Maurice repeats.
“Bonus payment,” Ben answers.
 |
| Design by Alessio Slonimsky |
He disappears in my chamber, returns with a slip of paper, check-size, hands it to me. "Three thousand dollars," I read. "Name field blank. We can cash it immediately."
"Oohh," Ben says.
These were a few words from the second part of the GREEN EYES. And you know what? Part I is available as ebook now, here, under this link:
Dec 30, 2014
Dec 25, 2014
Find a caption
 |
| "That has to be the smallest I've seen in my life." |
"Bacchus and Ariadne," (1621) Guido Reni (1575-1642)
Dec 24, 2014
Jamie 1.0 (teaser)
Today, our new flash story appeared on the pages of Gay Flash Fiction. Here's a teaser:
“I’m married to this gentleman,” I say to the immigration officer on SFO and point at Chang behind the yellow line. She beams at us and waves him forward. Some court has just overturned California’s ban on gay marriage.
“You’ll be staying in the city, right?”
“The first few days.”
“If you like go places, you must have lunch at the River’s End. You know the Russian River? She draws a map on a sheet of immigration paper.
We rent a cheap place in Guerneville (on the Russian River), an hour and a half north of the city. I’m working on my book, Chang is tending to the kitchen garden we inherited from previous tenants.
The weather is California-perfect and I’m sitting on the porch. I get up at 4 AM to write and can’t concentrate in the afternoon. The place next door is (even) more run-down than ours. And makes angry noises. It moans and cusses with the voice of a middle-aged woman---about---Jamie. A boy sits on a camping chair outside. His face is blank. He gets up and disappears.
Repeat, basically, for several days or weeks. We’ve met the woman in the meantime. We talked once, which was a mistake, we’re her enemies too, now.
“Jamie is a sweet name,” I say to Chang, “she must have loved him once.”
For the full story, follow the link. NB: The first paragraph is true-true. This really happened to us on our arrival in San Francisco this spring.
 |
| Jamie |
“I’m married to this gentleman,” I say to the immigration officer on SFO and point at Chang behind the yellow line. She beams at us and waves him forward. Some court has just overturned California’s ban on gay marriage.
“You’ll be staying in the city, right?”
“The first few days.”
“If you like go places, you must have lunch at the River’s End. You know the Russian River? She draws a map on a sheet of immigration paper.
*°*
We rent a cheap place in Guerneville (on the Russian River), an hour and a half north of the city. I’m working on my book, Chang is tending to the kitchen garden we inherited from previous tenants.
*°*
The weather is California-perfect and I’m sitting on the porch. I get up at 4 AM to write and can’t concentrate in the afternoon. The place next door is (even) more run-down than ours. And makes angry noises. It moans and cusses with the voice of a middle-aged woman---about---Jamie. A boy sits on a camping chair outside. His face is blank. He gets up and disappears.
*°*
Repeat, basically, for several days or weeks. We’ve met the woman in the meantime. We talked once, which was a mistake, we’re her enemies too, now.
*°*
“Jamie is a sweet name,” I say to Chang, “she must have loved him once.”
For the full story, follow the link. NB: The first paragraph is true-true. This really happened to us on our arrival in San Francisco this spring.
Dec 23, 2014
Dec 22, 2014
Dec 19, 2014
The view this evening (Glenn)
(No, actually---not the view this evening. This is a sky picture showing how the Andromeda Galaxy, the nearest galaxy outside the Milky Way, would appear to our eyes if it were bright enough. It's roughly 1 million light years away and ca. 100,000 light years across, almost twice as large as the Milky Way, our own galaxy.)
Dec 16, 2014
Dec 15, 2014
Dec 13, 2014
Dec 12, 2014
Gallery (23) (Sadao Hasegawa)
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| Sadao Hasegawa (1996) |
(We discovered Sadao Hasegawa today; it's an incredibly intense Japanese artist, who committed suicide in 1999)
(More art on the Gallery Page)
(More art on the Gallery Page)
Dec 8, 2014
Arresting Justin Bieber --- Write a novel see the world (1)
(Update: and while we are at it, here's Justin's lastest picture:)
Anything more we have to say about Justin, a fragment perhaps? We mention him once in the Green Eyes, but in our first novel, Freedom Fries, he gets a serious literary treatment. Here it is:
Context: Pamela Woods, the Dean of Berkeley Law school is busy conspiring against one of her faculty member, John Yoo, the author of the Bush-era torture memos. And Justin Bieber jr? That's her vice dean. And---spoiler alert---the scene is set on the day of Justin Bieber's breakthrough:
She collects the secret phone---Zack could call any minute now---hides it in her bag, and leaves the office. She will take up position in the lobby, where she will play the Populist Dean. The populist dean is expected of her anyhow, occasionally, and her performance is not without merit (despite mixed reviews), especially on Friday afternoons when people want to go home early, an inclination she applauds with one hand and dismisses with the other. Anyhow, there she stands, expansive as always (not always, only since twenty years), dispensing kisses, Hi’s, compliments (“you look great”), compliments (“you look great”), feedback (“we missed you at the budget meeting, where were you”), more compliments (“where did you get that tan?”), as her academic subjects are drifting toward TGI weekend.
 |
| Berkeley Law School, west side |
Meanwhile, in a parallel universe, Pamela is waiting for Yoo to go home to his wife and two children, his wife the estranged daughter of the Pulitzer prize winning face of the first gulf war, Peter Arnett, his children the estranged grandchildren of the Pulitzer prize winning face of the first gulf war, at least, that’s how she assumes Yoo’s family works. But perhaps she is wrong, Arnett looms large in her own life since it had been him, the CNN correspondent in Baghdad, who had watched over her final fall from svelteness during one month of uninterrupted couch attendance in the run-up to the war. Tragically, she was on sabbatical leave at that time; planning to write another law book, she had turned down visiting appointments elsewhere and was stuck in front of the TV with an excessive supply of macaroons and productive procrastination. She had gained twenty additional pounds when the war was over, twenty pounds that had tipped the balance of her life.
 |
| Parking garage of Berkeley Law |
She has already sent six faculty, twelve students, and three staff into the weekend when Vice Dean Bieber descends the stairs. A small, middle-aged man of nondescript appearance, Justin Bieber Jr. is the son of Justin Bieber Sr. and the father of Justin Bieber III. She opens her arms wide---he is scared of big women and will keep a certain distance. “How’s going,” she cheers, “haven’t seen you in fifteen minutes.”
“Great, Pamela, great going,” Bieber replies, “I’ve just taken a few minutes off my vice-deanly obligations to check on my blog.”
“Oh, I’m so sorry, I didn’t have a chance to catch up with your blog recently, but I promise.”
Dec 6, 2014
Dec 5, 2014
Writers (Cathy Ulrich)
I've never understood why some writers write stories about writers because if we're really that interesting, why are we going around making up stories all the time?
 |
| "And then I picked up my quill pen and began to write this phrase: 'And then I picked up my quill pen...'." |
(reblogged from Cathy's blog Hollywood Hates Me)
Dec 4, 2014
Dec 3, 2014
Dec 2, 2014
The Golden Century --- Connubial bliss
Prologue. The Golden Century is an all-you-can-eat oriental restaurant located right next to the landing strip of the Cannes-Mandelieu airfield. If there's any magic to proximity, and if there's any proximity to Hollywood, it’s here. From Brad Pitt to George Clooney to Benedict Cumberbatch, they’ve all been dozens of time inside a two hundred yard circle centered upon the main buffet of the Golden Century. This is the spot where private-jet celebrities touch down on their way to the Festival de Cannes.
 |
| The main buffet of the Golden Century |
Act I. I had been there once, by sheer coincidence, a few minutes before the place opened for the first time at 7 PM on a nondescript weekday. The doors were already unlocked, I entered unsuspectingly. The place was empty, except for a few nervous waiters and an interior design so intense in its lacquered combination of Formica wood and red lanterns that I fainted.
Dec 1, 2014
Nov 29, 2014
Nov 28, 2014
Nov 27, 2014
“I can almost write like Mr. Johann Sebastian Bach” --- seven things we knew about Ernest Hemingway
The New Yorker sends a link to an article by Lillian Ross about Ernest Hemingway (H.), published in 1950.
We’re curious, we don’t know much about H., having read him when everybody else read him, The Old Man and the Sea in our case, in a German translation. We’ve been to Key West, FL, where everything is H., and got fed up with Sloppy Joe, his watering hole there, so decided to get drunk somewhere else (we’re possibly not the first to mention tourism and locust in the same sentence).
So, what we knew about him was
(0) writer of short sentences, user of simple language, herald of Huckleberry Finn (Mark Twain’s novel), in-quote: “All modern American literature comes from one book by Mark Twain called Huckleberry Finn. American writing comes from that. There was nothing before. There has been nothing as good since.”
(1) macho,
(2) Nobel Prize,
(3) lookalike contests,
(4) big game hunting,
(5) drink,
(6) serial husband, perhaps something of a womanizer.
We’re curious, we don’t know much about H., having read him when everybody else read him, The Old Man and the Sea in our case, in a German translation. We’ve been to Key West, FL, where everything is H., and got fed up with Sloppy Joe, his watering hole there, so decided to get drunk somewhere else (we’re possibly not the first to mention tourism and locust in the same sentence).
So, what we knew about him was
(0) writer of short sentences, user of simple language, herald of Huckleberry Finn (Mark Twain’s novel), in-quote: “All modern American literature comes from one book by Mark Twain called Huckleberry Finn. American writing comes from that. There was nothing before. There has been nothing as good since.”
(1) macho,
(2) Nobel Prize,
(3) lookalike contests,
(4) big game hunting,
(5) drink,
(6) serial husband, perhaps something of a womanizer.
Nov 25, 2014
Nov 24, 2014
Palais de Justice
We're in litigation with our wayward bank and today we'll finally have our day in court, in Grasse, Alpes-Maritimes, way station on Napoleon's Route Napoleon during the "100 days" that ended in Waterloo. Grasse is the world capital of fragrances and the locale of Patrick Süskind's The Perfume, the story of a hypersensitive nose attached to Ben Whishaw who needs the bodily fluids of 12 virgins to complete his mission as the greatest perfume-maker of all time. Grasse is also the seat of The Tribunal de Grande Instance, our court.
Grasse is set on the flanks of the Alpes and built around hair needle turns devoid of any spacial logic, so you're sure to lose your way, especially when you're told by your lawyer that the directions are "bien indiquées," meaning that you're directed off the main road long before you reach the town, arrows pointing this way and that way until they stop pointing and you're on your own in the middle of a Mediterranean jungle of gas stations, low-grow brush ("marais"), utilities, perfume makers, quarries, and the urgent need to pass watersince (you got up too early and drank coffee too much).[1]
Grasse is set on the flanks of the Alpes and built around hair needle turns devoid of any spacial logic, so you're sure to lose your way, especially when you're told by your lawyer that the directions are "bien indiquées," meaning that you're directed off the main road long before you reach the town, arrows pointing this way and that way until they stop pointing and you're on your own in the middle of a Mediterranean jungle of gas stations, low-grow brush ("marais"), utilities, perfume makers, quarries, and the urgent need to pass water
Nov 23, 2014
Nov 22, 2014
Nov 15, 2014
Nov 14, 2014
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