In This is heaven we alleged that the Fountain of Geneva was created by the Roman emperor Hadrian. Here is the back story for this amazing feat, fresh from our laptop.
And, of course, John and Alex from the Green Eyes are somehow involved.
Part I --- Caesar's snub
We’re off to Europe on our honey moon, Alex wants me to show him my native country. We book a flight into Paris and end up in Geneva because France is on strike and
Charles de Gaulle, the airport, is closed. Next thing, we find ourselves strolling through the Swiss city, a bit red-eyed from the flight, and alight on a park bench on the shore of Lake Geneva, snow-topped mountains left and right and in between the Alpine mega-pond.
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“Hundred thirty two gallons of water per second,” he says, “reaching 140 meters into the sky. The Fountain of Geneva. The planet’s most spectacular ejaculation. Since 1900 years.”
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We’re not the only people out, and some guy walks up the shore and then down the shore and finally asks whether the remaining mile of park bench is taken. He speaks French but switches to English as soon as Alex opens his mouth. He sits down, a middle-aged gentleman equipped with a Swiss-Swiss watch, watches his watch, studiously, and finally says, briefly lifting his gaze: “Two minutes.” We return his gaze, he says: “One minute.” Alex grabs my wrist, says: “Relax.” The guy keeps his eyes on his watch, then says: “Voilà.” And voila, the lake gulps, spits, and ejects a gushing column of jizz, a thick white jet rising high into the sky and beyond and falling back into the lake again. “Hundred thirty two gallons of water per second,” he says, “reaching 140 meters into the sky. The Fountain of Geneva. The planet’s most spectacular ejaculation. Since 1900 years.”
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| The fountain, with the Mont Blanc, the highest mountain of the Alps, in the background |
There are worse ways to make a pass at people, I think to myself, especially if you’re into threesomes. Next thing, the guy says: “You know, there are better ways to make a pass at people. That’s what you are possibly thinking, hein?”
“Yes,” I say (let’s cut this short).
“You want to hear the story?”
“The story?”
“The story of this fountain.”
“It’s on the internet, I guess,” I say, but Alex grabs my wrist again.
“No-no,” the guy says, “it’s still classified, after all these years.”
“My name is Alex,” Alex says, “this is John.”
“Enchanté,” the guy says, “I’m Richard, Richard Zugabe. I’ve been the librarian of the city archives for many years. I am the only one with access to the relevant files. Which means something, here in Switzerland. You want to hear the story?”
“Yes,” Alex says.
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