(I listened to this, in Horowitz's interpretation, perhaps 500 times, so there you have it. My Horowitz was a studio recording; this is a bit slower, and it is somehow even more gripping.)
We have been in vivid contact with Cathy, the soul of Hollywood hates me, her brilliant blog. And she has started this series about song lyrics. And we suggested the song The boys of the summer by Don Henley, a song that plays a role near the end of part one of the Green Eyes (Nick, the owner of Nick's restaurant, performs it at one of of darkest moments of John's brief life), and also at the beginning of the second part of the Green Eyes (we explain later). And she listened. So here it is, her analysis.
By popular request ("popular" means "one person," right?), here comes an analysis of Don Henley's The Boys of Summer. You know you can't wait to learn what this song really means.
Nobody on the road Nobody on the beach I feel it in the air The summer’s out of reach
Our first verse opens in September. Everybody's gone back to school, except our singer. Possibly he's a dropout, possibly he's too old for school. All he knows is that, man, it was great when everybody was back in town for the summer, hanging out at the beach and on the road.
We didn't really have the scoop but were posting on Gangnam-style back in August when its YouTube tally was a tiny 27 million or so (now more than 1 billion), encouraged by the excessive oriental wisdom of our partner, the certain Chang Man Yoon. And we have been posting the Hitler parodies since years, right? So, here goes:
What else? A suitable quote from the Green Eyes of course, from Chapter 32, The humble worm C. Elegans, the only Nazi reference in the book, by the way:
Something has changed in that man [John's father], the tide went out, including Boston harbor, and the muddy ground of the nation is packed with naked clowns, wrapped in the flag, whose sole point is that they are angry, angry --- that's how tyrants justify blanket executions --- but their anger is not the point here, they are insulted by a black president who dares to provoke their racism, that’s it. I recall some chain email that Nick passed on last year, with a bunch of Anti-Obama cartoons, plus some language about real Americans, real Americans, and accompanied by the complaint that the nation is under siege because all these cartoons couldn't be published in the US, and when you looked closer, you could easily see that most of them were by American artists and had been published in the Washington Times, the New York Post, or the Times-Picayune, that's how they operate, claiming the high grounds of patriotism and victimhood, supported by nothing but lies and ignorance, assuming that the rest of the world is even more stupid than they are, it's exactly, EXACTLY the way the NAZIS operated on their march to power.
And while we are at it, lets contemplate a chain-mailed "joke" originating from a certain Henning and received today:
For Immediate Release:
Effective Jan 1, 2013, aspirin will be heavily taxed under Obamacare. The only explanation given was that they are white and they work. No other reason was given, but I thought you'd want to know about it.
Funny? Yeah, right, this is funny only if there's in fact some truth to the prejudice that (1) Obama despises the white race and (2) blacks are lazy. Any evidence, anybody? That's why Obama's mother was white, right? That's why he is from Kenya, right? That's why blacks were imported as slaves, right, because they don't work. From Kenya. Right?
Very funny. So we complain to Dirk, who sent us this "joke." Dirk mumbles something of political incorrectness in reply. Well, Dirk, political incorrectness is a derived term, derived from its antonym, political correctness (PC). PC was an attitude to language, invented sometime in the late '70s, suggesting or dictating the avoidance of verbiage supposedly hurtful to minorities, so dwarfs became "vertically challenged individuals," blacks became "Afro-Americans," and Harvard professors edited the word "nigger" out of Mark Twain's "Huckleberry Finn." That's PC. Political Incorrectness, thats pointing out the absurdities of PC. Political incorrectness neither implies nor condones the stupid, debased racism of Henning's "joke." Dirk. So, let's be politically incorrect again. And please tell Henning.
Et passent [pass], passent, passent, passent, passent, passent les jours [days (as in journal)],
Et rien [nothing], non rien, rien ne change [changes] sur le parcours [parcours],
Ce sont les mêmes [same] pages [pages] qui défilent,
Les mêmes vers [verse] qu'on récite,
Le même vieux [old] film [film] que depuis cent [hundred] fois [times] on rembobine, [replay, sort of]
Et on s'accroche [acroach] et on s'acharne [acharne], et on s'abime [abime] et on se gâche [spoil], on s'épuise [epuise] et on s'entame [entame], on s'enlise [enlise] et on s'éloigne [eloin],
Et on s'accroche et on s'acharne, on se brise et on s'attarde, ne soyez pas si cons.
This is the end
Hold your breath and count to ten
Feel the earth move and then
Hear my heart burst again
For this is the end
I've drowned and dreamt this moment
So overdue I owe them
Swept away, I'm stolen
[And here we get interrupted by an eager blogger who has to tell us that this is great folks, we have't seen the movie yet but this is great, it reminds us of Shirley Bassey, whom you possibly won't remember because you are too young, Shirley, the greatest singer of James Bond. Goldfinger, can you still hear it, Goldfinger, he's the man...OK, the Goldfinger song was still better than this one, but still...]
He was 86 years old. Instead of an obituary, a fragment from the Green Eyes (what else), written 2 month ago, from Chapter 21:
At this moment I have to think very quickly. Fortunately, the appearance of my father has reset my panic button, and I'm as calm as a cloud. And I think German Cemetery, Rome, Italy. I once met a man in unquestionable circumstances, a world-famous composer, from Europe, a composer of contemporary music, world famous, his operas would premier by default at the Met or in Covent Garden, and he had already written more symphonies than Beethoven, let's call him Hans Werner (not Wagner). Hans lived in Rome, where this cemetery is conveniently located (wait), a burial ground for German nationals since ages. The cemetery is world-famous in Germany, since it comprises the remains of Goethe's son, the one-and-only son of the German dichterfürst (the spell checker suggests "Lichtenstein"). Every German school child knows about this. What they don't know, it's also a cruisin' ground. So Hans pays an urgent visit to Goethe's grave (the son), meets new friends, and has a "quick embrace" (his words), with an American, apparently, who flips his wallet and hands the world-famous composer of serial music a 50 dollar bill. Hans accepts the money, and leaves the grounds elated, with one more anecdote to tell in his pockets. I'm not making this up, he told me this himself.
Are you still there? Then you'll possibly like the novel, the GREEN EYES. It's out now, available on Amazon under this link:
Praise for Michael Winter's Opus 1:
"Die konzertierten Harmonien dieses erstaunlichen Erstwerkes erinnern nicht so sehr an Wagner oder Debussy, obwohl sie in ihrer Transzendenz und konzentrierten Zurückhaltung gleichwohl das Interesse eines an Weltmusik geschulten Publikums verdienen..." (BaRbette Bienpensant in Fortgeschrittene Musik) Right. We told you so. PS: If I would show this to my mother, she would say "albern" ("silly") PSS: Here's the Google translation: "Concerted harmonies of this amazing Erstwerkes remember not so much of Wagner and Debussy, although their transcendence and concentrated restraint nonetheless deserve the attention of a qualified audience of world music ..."
PSSS: Not our day.
...and writes: "This has been around for a while but still. As the story goes, the guy that owns this house lives north of Cincinnati, Ohio .. Police were constantly being called for traffic jams and accidents in the neighborhood so they asked him to shut it down during certain hours. Instead he started charging by car load to pay off duty police to be there."
Die Neue Zürcher Zeitung has a feature about Alexandra Rohleder. You've heard of her? You didn't? But it's the usual story. She can't trust here eyes. My God, the place is cheap. Isn't a digit missing? And it's in Berlin, Germany. Near the Olympic Stadium, where Hitler opened the Olympic Games of 1936 (we mention this, because it plays an important role in Carl Sagan's novel Contact---the opening is the first TV broadcast in the planet's history, aliens pick up on it, and contact is made).
The usual story. You can get the property for a song. But...if you want to rebuild, there should be grass on the roof, and timber on the walls, since it's also close to one of Le Corbusier's signature buildings. And the existing structure, sorry, we'll have to destroy it. But we can get this young architect. It's the habitual interplay between "we have no money" and "no money spared," that we know so well from our own attempts at home improvement.
Olympic stadium in Berlin
Now, located next to these structures (Olympic Stadium, Corbusier building, Rohleder's dwelling), we have the Berliner Waldbühne, also built by Hitler. It was a wooden structure, an amphitheater built into the woods. Very pretty, with room for an audience of 25,000 people. Good acoustics.
Come 1965. Come the Rolling Stones, and their first concert in Berlin. They are scheduled for the Waldbühne, the largest venue short of the Olympia Stadium itself, where the acoustics would be impossible.
Now, you need to understand Berlin during the age of The Wall. Berlin was split into an western section (a geographical western island in a communist sea), and the eastern section (separated from us by the wall, but united with the rest of communist Eastern Germany). The wall had been built 4 years before, and there were still all sorts of communal arrangements for the city, including the fast transit system, possibly the first fast transit system in the world, built during the late 19th century. It's called S-Bahn ("S" for "schnell" = fast), and in those days, it was owned and operated by the East (the communists).
Berlin's S-Bahn
Now, you also need to understand that in 1965, 20 years after the war, Germany was still relatively poor, and adolescents typically would not own cars, perhaps not even scooters. Also, Berlin is one of the largest cities in the world geographically, and your scooter would simply not get you to the Waldbühne in time. So you use the S-Bahn.
It's 1965, the concert will start in 2 hours, and you climb onto the communist S-Bahn. And you are not the only one. In fact, there are 25,000 more of you.
So, we get on the S-Bahn, and we are in a good mood. Very good mood. Somehow, people have already started to probe the sturdiness of the S-Bahn accommodations. The seats are wooden, and very solid. And yet, it's amazing what 25,000 adolescents can do when the animal spirits rise.
The planks on the seats come loose. More planks come loose (we're on the way to the Waldbühne now). Other items that had defined the interior of the S-Bahn for 70 years also come loose, all this while we are practicing our understanding of Rolling Stones' songs ("I can't get no satisfaction"---notice the double negation). Upon arrival at the station (the Waldbühne has its own S-Bahn station), not much is left of the interior of our car, or any other car in service.
We enter the Waldbühne, and Mick Jagger comes on the stage. He is in a good mood, his band is in a good mood, and we are in a good mood. The Waldbühne, remember, was a wooden structure, and we had just practiced on such structures. The spirits rise, and while the Stones get going, we get going as well.
The Rolling Stones at the Waldbühne
Two hours later, nothing is left of the Waldbühne. Nothing. It was rebuilt 30 years later, after the re-unification, in concrete.
I am not making this up.
The Waldbühne rebuilt after reunification
PS: here's a brief period clip from the local TV news:
