Michael on the Beach --- today, during a "gigantic wave alert"

 

Fame, fame, fame--Big Nazaré and us

Folks, this is the third time inside a week that we are witnessing an extraneous reference to us --- or, more precisely, to Nazaré, our sister town here next to Alcobaça in the international press --- extraneous, because it's completely out of context, and has nothing to do with the usual schmalz of Portuguese tourism. Here it is, jumping at us and the innocent reader, published by Bret Stephens in the New York Times:

"All this makes Fox’s business challenge approximately the same as for the surfers at the Portuguese beach at Nazaré: miss the wave, ride the wave or be crushed by the wave. For Fox, riding the wave will no longer come easy: Angry populism is a force that can only be stoked, never assuaged."

Us and Fox News. Even better: Us and Fox-News-in-trouble: Miss the wave, ride the wave or be crushed by it. How could that be? Well, this has to do with the sudden dismissal of Tucker Carlson on Monday, Fox's former Number One Prime Time Show Host. Stephens' column is about Tucker Carlson provoking angry populism with his show and being eventually consumed by the malevolence he sowed. "Die Revolution frisst ihre Kinder", we say in Yiddish.

Our correspondent Chang has ordered the new AI-facility on Photoshop to comment on all of this, and here is the result:

Well, one wonders. Beta-version, we'd say. How about an old-fashioned video-clip of the real thing, then (?):

Can you discern Rupert Murdoch missing the wave? Or Tucker Carlson? Crushed by it? Eliminated, eradicated, destroyed, annihilated, Trumped, obliterated, removed, taken care of, or simply stoppped? Well, we can't either, but wishful thinking is sometimes helpful, even when the polls threaten the re-election of the Donald.
Wishful thinking. Wasn't this post about fame? One for the road--watch this:

CO2, or F--- PC

We are no friends of CO2, but we aren't friends of Victorian excesses either, (Queen Victoria, remember, the patron saint of the Victorian Age), and so we loathe POLITICAL CORRECTNESS, the neo-Victorian instantiation of prudeness, censorship, and a generic fear of unpleasant truths. 

And it just so happened that our new hometown, Alcobaça, has it's annual street fair, and here you are looking at the stand of a vendor of used cars. And look at the vendor's name. CO2 Auto. Do you blush, dear reader? Do you feel offended?

We don't, of course, since we own a Tesla (the car on the right, enjoying the sunset on the Praia do Norte, the beach with the largest surfable waves in the world). Plus, Tesla has just released a new version of it's self-driving software (10.69, wink, wink) Here, fresh from YouTube.

Yesterday -- wave alert

We've had a wave alert for the Praia do Norte yesterday, with estimated breakers of 10 meters. The sheep were characteristically unimpressed, though:

The giant wave

This surf figures in the Guinness Book of records, but it is rare (happening twice per year perhaps) and very local (just at the tip of the Sitio rock, in front of the Forte de São):

  

 "More or less (?)", you ask? Yes, because we are located in Alcobaça, the town next to Nazaré (lower right of the map)...

...and the Praia do Norte (northern beach), where the surf happens and the Forte is located, is ca. 10km away:

An interesting feature, which explains part of the popularity of the region, has to do with the two beaches. The northern beach is wild at all times, and untameable under the unrelenting drift of northerly winds---providing a perfect backdrop for hippies of all generations. In contrast, the southern beach is protected by the cliff---gladly accommodating families with small children and strong preference for sunburns.

Star Wars Episode IX -- Review

We're still living in Le Trayas, 19 kilometers from Cannes, or 19 quilometros, as they say in Portugal, whereto we are planning to relocate. We kept a Netflix subscription for three or four months last year, during which we watched ONE movie. So we canceled Netflix and decided to resume our occasional excursions to Cannes, where the theaters may show movies in English. And yesterday we went to see the latest Star Wars movie...uh, what was the title..."The Rise of Skywalker" (yes).

This is the Esterel, seen from Cannes, the "mountain" range where we live

I don't quite remember, but this may have been my first time to walk out of a movie before it ended. I had read the reviews, which were so-so, but not devastating.
You watch this movie like you're reading a recipe...
-- "Make sure to satisfy all demographics that count, and don't forget the Marsians and all the other good people of the galaxy;"
-- "Make sure to ignore the established laws of physics, because hard-working American Families, including Donald Trump's, don't care" (so we have this obnoxious space travel going on all the time, and it's particularly grating that we are informed that they travel at the speed of light (meaning, if they are crisscrossing a serious galaxy, that they would still need hundreds or thousands of years to get anywhere));

We could serve as a Star Wars location, save for the beach umbrella

-- "Make sure to separate GOOD from EVIL."
-- "Don't offend anybody," meaning that SELF-HELP is the only permissible ideology/religion left to support the GOOD GUYS. And so we are constantly treated to blatant falsehoods such as 'You can do anything, if you want,' or 'Good people will fight, if we need them,' or 'The force will be with you, always,' or 'Was this review helpful?'
-- (as a lemma to the last ingredient:) "Don't use swear words, or any such thing. And...sex is out of the question, unless it happened light years ago between Harrison Ford and Princess Leia."

"Uuhm"

So, we walked out. It was Chang, partner and photographer, who noted that I was constantly looking at my watch, and suggested that we'd leave.
The special effects are trying to be more special than any previous special effects, and this race is going on now for a hundred years. As this movie shows, there are special limits. We liked the special waves, though (link), because the place we are moving to in Portugal has the highest surfable waves on the planet:

Nazaré, on November 22, 2018

Have a look at the link. Nazaré's waves are better.

Portugal (16)

You know, we intend to move to Nazaré, located between Porto and Lisbon on the Atlantic Coast. This year, in January, it recorded the highest surfable wave on the planet. And now this (give it 30 sec):

More beach --- Portugal (11)

This is a few kilometers north of Nazaré, the town with the largest surfable waves in the world:

Portugal (9)

Yesterday evening, shortly before sunset, on the Praia do Norte---a surfing competition is in preparation:

Conditions are quite unfavorable. There's no wind, and the waves are smallish.

Portugal (7) -- Can you see the surfer?

You can't, actually, not on the notebook display, where he's screened out by an ad for Ampersant's scabrous story about the Fountain of Geneva. So, here he is again...

...the Portuguese surfer Hugo Vau negotiating a 35 m high wave, already known as "big mama", on 19 January 2018---the Guiness Book of Records is pending as to the highest wave surfed on record. And all this happened barely nine moths ago in Nazaré, 100 clicks north of Lisbon, Portugal, a place we visited today. 

(And the reason for these super-waves? We quote Wikipedia: "Nazaré is a popular surfing destination because of its very high breaking waves that form due to the presence of the underwater Nazaré Canyon.[8] As the canyon creates constructive interference between the incoming swell waves, it makes their heights much larger on this stretch of coast.")

Constructive Interference, folks--we were always wondering. Next time you have an argument with your spouse...think of us.

Thinking outside the box

The nadir of American Conservativism

This text, written by Eric Dondero, appeared on the website LibertarianRepublican.net. We don't think it'll stay up for long, even though --- or because --- it cuts right to the chase of present-day American Conservativism. Wasn't it George W. Bush who said that "you are either for us or against us"?  Well, let's say to you: "You are either in bed with these people or not in bed with these people."

(you need to click on it for enlargement)

We think it'll gonna be a classic. People will remember it twenty years from now. Historians will cite it. This text, folks, this text marks the the moment when "conservatives," (not that this is an adequate term, better would be: "reactionaries") when they have really lost it, when they have really reached the point of no return, when they jumped off the cliff, when they hang in the air, when they crashed and shattered into thousand pieces. Many people will try to forget about this. Pretty soon. Don't let them! Remember this. Remember them (you need to click on it for readability, but just in case, here's a condensed version as plain text:)

The end of liberty in America: Only course of action now is to fight back, electoral politics not working
Time to tell any Democrats you know to fuck off and die
by Eric Dondero

[...]
Secondly, today starts a new course for my life. I've soured on electoral politics given what happened last night. I believe now the best course of action is outright revolt. What do I mean by that?
Well, to each his own. Some may choose to push secession in their state legislatures. Others may choose to leave the U.S. for good (Costa Rica, Switzerland, Italy, Argentina, Hong Kong, Israel). Still others may want to personally separate themselves from the United States here in North America while still living under communist rule' the Glenn Beck, grab your guns, food storage, build bunkers, survivalist route. I heartily endorse all these efforts.

Les voiles de St. Tropez

Sacha sends an email asking whether we would know a way to get on a boat and watch Les voiles de St. Tropez closeup. We suggest to rent a powerboat, but before anything clicks he has already found somebody else. We sit at home and cry, cry like John Lee always cries when he has lost Alex again. And then, the next morning, Sacha calls and re-iterates the rental idea --- it was so great yesterday, and he really needs to get closer to the tall ships with his professional camera than the sailing millionaires would let him who gave him a sail yesterday (don't worry, just read the sentence a few more times). So there we are, with Sacha's official picture of the event:

Creole, Hamilton

Touring Phuket

So we finally rent a car, and the next morning it is cloudy, rainy, but we don't care, and travel south.  A view from the first viewpoint informs about the western coast of Phuket south of Patong, the hedonistic center of the island:

The bay of Patong is to the north (next to the high-rise), south of it the bay of Kolon, and finally Kata. As we continue south, we reach a small, nameless beach almost on the tip of the island (Chang in the lower right corner)...

Italian for beginners

The washed-up scriptwriter sends this clip, and asks the question ""fact or fiction?":



And here's the transcript:

—De Falco: "This is De Falco speaking from Livorno. Am I speaking with the commander?"
—Schettino: "Yes. Good evening, Cmdr. De Falco."
—De Falco: "Please tell me your name."
—Schettino: "I'm Cmdr. Schettino, commander"
—De Falco: "Schettino? Listen Schettino. There are people trapped on board. Now you go with your boat under the prow on the starboard side. There is a pilot ladder. You will climb that ladder and go on board. You go on board and then you will tell me how many people there are. Is that clear? I'm recording this conversation, Cmdr. Schettino..."
—Schettino: "Commander, let me tell you one thing..."
—De Falco: "Speak up! Put your hand in front of the microphone and speak more loudly, is that clear?"
—Schettino: "In this moment, the boat is tipping..."
—De Falco: "I understand that, listen, there are people that are coming down the pilot ladder of the prow. You go up that pilot ladder, get on that ship and tell me how many people are still on board. And what they need. Is that clear? You need to tell me if there are children, women or people in need of assistance. And tell me the exact number of each of these categories. Is that clear? Listen Schettino, that you saved yourself from the sea, but I am going to...really do something bad to you...I am going to make you pay for this. Go on board, (expletive)!"
—Schettino: "Commander, please..."
—De Falco: "No, please. You now get up and go on board. They are telling me that on board there are still..."
—Schettino: "I am here with the rescue boats, I am here, I am not going anywhere, I am here..."
—De Falco: "What are you doing, commander?"
—Schettino: "I am here to coordinate the rescue..."
—De Falco: "What are you coordinating there? Go on board! Coordinate the rescue from aboard the ship. Are you refusing?"
—Schettino: "No, I am not refusing."
—De Falco: "Are you refusing to go aboard commander? Can you tell me the reason why you are not going?"
—Schettino: "I am not going because the other lifeboat is stopped."
—De Falco: "You go aboard. It is an order. Don't make any more excuses. You have declared 'abandon ship.' Now I am in charge. You go on board! Is that clear? Do you hear me? Go, and call me when you are aboard. My air rescue crew is there."
—Schettino: "Where are your rescuers?"
—De Falco: "My air rescue is on the prow. Go. There are already bodies, Schettino."
—Schettino: "How many bodies are there?"
—De Falco: "I don't know. I have heard of one. You are the one who has to tell me how many there are. Christ."
—Schettino: "But do you realize it is dark and here we can't see anything..."
—De Falco: "And so what? You want go home, Schettino? It is dark and you want to go home? Get on that prow of the boat using the pilot ladder and tell me what can be done, how many people there are and what their needs are. Now!"
—Schettino: "...I am with my second in command."
—De Falco: "So both of you go up then ... You and your second go on board now. Is that clear?"
—Schettino: "Commander, I want to go on board, but it is simply that the other boat here ... there are other rescuers. It has stopped and is waiting..."
—De Falco: "It has been an hour that you have been telling me the same thing. Now, go on board. Go on board! And then tell me immediately how many people there are there."
—Schettino: "OK, commander"
—De Falco: "Go, immediately!"

Update (Telegraph):

In a pre-planned stunt advertised on Facebook, captain of The Concordia, Francesco Schettino, sailed perilously close to the coast of Giglio so that the ship's head waiter could salute his family on land.

Minutes before the cruise ship hit the rocks, the waiter's sister Patrizia Tievoli had posted on Facebook that: 'In a short period of time the Concordia ship will pass very close. A big greeting to my brother who finally get to have a holiday on landing in Savona.'

Fundamentalism in trouble (Dirk)

And while we are at it, lets reminisce: We are driving across the US, as usual, have spent the previous night in a hotel in Wyoming where the Gideon Bible is an accessory to every night table, have read the Genesis chapter, have crossed into the God-fearing state of South Dakota, and are driving past a evangelical billboard saying: "Noah planned ahead.." (the import being that you should plan ahead, too, etc). Well, no, Noah did not plan ahead. He was ordered by God to build the arc.

One of the tricks of today's American fundamentalists is their illiteracy; they have, in fact, not read the Bible.

The Obama identity

Vanity Fair has a preview of a new satirical novel with political content by Edward Klein and John LeBoutillier involving, among other things, Obama's birth certificate.




And while we are at it, here's an excerpt from one of the hopeless scripts of the washed-up scriptwriter who disappeared in the Bay of Cannes together with the Giant Wave:

INT. FISHER LABORATORIES - LAB ROOM - DAY

Lab environment, gear, computers, desks, etc.
ALBERRT behind his desk, in front of a computer screen.

A toy helicopter crosses the room, remotely controlled by SKINHEAD JOE. The copter buzzes around Alberrt’s head, then lands on his desk. Alberrt ignores it.

SKINHEAD JOE
Alberrt, you busy?

ALBERRT
I’m into the computer of the State of Hawaii Department of Health. With System’s Administrator privileges.

CUT TO:
Skinheads POV.

On Alberrt’s screen we perceive Obama’s birth certificate; a popup window asks “Delete Permanently” with alternatives YES, NO, CANCEL, the cursor hovering over the YES.

ALBERRT (CONT’D) (speaking in cadences, when possible)
In 2001, the State of Hawaii Health Department went paperless. Paper documents were discarded. The official record of Obama’s birth is now an offical electronic record, as Janice Okubo, spokeswoman for the Health Department, informs us via the Honolulu Star Bulletin, the leading newspaper of the archipelago. I am holding this document---the only official proof of Obama’s American citizenship---in my hands … under my mouse, actually, the able mouse of a fringe hacker imposing as system’s administrator, and if its cursor clicks YES, the document is gone, and Obama has lost his citizenship.

SKINHEAD JOE
He can’t stay president without it. Go for it man. Just do it, do it, do it (to the gestures of a winning tennis champion)

Alberrt does not react. An angel walks through the room; the moment passes.

SKINHEAD JOE (CONT’D)
What holds you back?

Alberrt clicks NO.

ALBERRT
I think I need a raise. And there is too much corroborative evidence. A copy of the birth certificate resides in the vault of Obama’s Chicago office.

Alberrt’s screen changes to the image of an Obama official displaying the certificate.

ALBERRT (CONT’D)
The copy has no legal value independent of the health records, but provides a straw to which Obama could cling. Next …

Alberrts’s screen image changes to a clip from the Honolulu Advertizer.

ALBERRT (CONT’D)
..the birth was announced on Sunday, August 13, 1961, in the Honolulu Advertizer.
CUT TO:
Skinheads face, Skinhead clearly clueless

ALBERRT (O.S.)(CONT’D)
Sunday, August 13, 1961, was, as you may recall, the birthday of the Berlin Wall---and we don’t believe in coincidence, or do we…

Now the Skinhead understands.
CUT TO:
Alberrt

Alberrts’s screen image changes to a clip from the Honolulu Birth Star Bulletin.

ALBERRT (CONT’D)
And finally there is the entry in the Honolulu Birth Start Bulletin. Through…(points to his head)…through my brain, I have acquired system administrator privileges to all these sites, but there are backups, there is physical stuff, tapes, disks, in vaults, which I cannot access myself. And the Honolulu advertizer still keeps a physical record. Now, this …

Alberrts’s screen image changes to a mugshot of some guy.

ALBERRT (CONT’D)
… is the system administrator of the Honolulu Advertizer. He got recently divorced, and has several violations for drunk-and-driving.

Alberrts’s screen image changes to a mugshot of KHALID SHAIKH MOHAMMED

ALBERRT (CONT’D)
And this (beat) is the system administrator of the Hawaii Health Department. He never got married, for obvious reasons, but is behind on his mortgage payments, apparently spending too much time in the Waikiki Bananas…

Alberrts’s screen image changes to a picture of the WAIKIKI BANANAS

ALBERRT (CONT’D)
… an infamous beach venue for exotic surfers…

The mysterious visit of Donna Pérignon

Saturday night. The wind howls around the house, the timber creaks, the rain beats on the windows, the sea roars below.

The doorbell rings.

On the intercom, a female voice. "Excusez-moi de vous déranger," the voice says, "je ne peu pas expliquer trop, mais je suis Donna Pérignon," (Sorry to disturb you, I can't explain too much, but I am Donna Pérignon)."
"Donna?", I ask, and she replies: "Yes, Donna like in Ma-Donna, or Donna-stag, or Donna Versace, or Gianni Versace, or Giorgio Armani, or Emporio Armani, or Emperor Napoleon." I push the remote for the gate. Michelle Pfeiffer emanates from the dark.

-"You can't be Michelle Pfeiffer", I say.
-"How so?", she replies.
-"You are without your entourage."
-"Elémentaire, chèr Watson, she replies.
-"Enchanté", I say.
-"I am coming for ... ," Her voice trails off, her sentence ceases. Then, in French: "C'est urgent, mais d'abord, Pérignon."

A pause. She gazes at me through her shades---she wears shades at night, radioactive vision, cool. What can I say? "Pérignon, Pérignon" I say to Chang. Chang gives me the Marx Brothers look. "Any Pérignon left in our cellars?" I ask, kindly.

Chang has been a fan of Keeping up Appearances, the BBC tragedy, all his life. He disappears, and while I am helping Donna to undress (only the coat), a cork pops in the kitchen, and Donna takes notice, and Chang reappears with three champagne glasses, filled. "Dom Pérignon", Chang says, handing out glasses. She raises her glass. "Santé," she says. She drinks.

Chang refills her glass, artfully hiding the label on the bottle. This bottle does not look like a Pérignon bottle to me (they have a special shape), and it does not look like a Pérignon bottle to Donna. She drinks some more. "Truth to be told," she says, "a great champagne tastes differently every day. Show me your blog."

We proceed to my desk.


"La vague géant," she commands, more Brigitte Bardot than Michelle Pfeiffer now. She sits down in my Eames aluminum chair. I bring up the giant wave posts on the screen (pictured). She studies the pictures, carefully, intently. Then she gets up. I need a cigarette, she says, and proceeds to the terrace outside. There, her glass is refilled, her cigarette lit.



She returns after a cigarette length. "The blue tulips," she commands. I'll go and fetch a blue tulip. She sniffs at the blue tulip.
-"Elementaire, chèr Michael", she says, and then, "Je dois partir maintenant" (I have to leave now). She claims her coat. We refill her glass. She sniffs her tulip some more. "Il n'y a pas des secrets" she says. She posits her empty glass on the secretaire in the hall, blows kisses, makes her exit, makes more of her exit, exits, is gone.

The giant wave: the mysterious visit of Donna Pérignon

Saturday night. The wind howls around the house, the timber creaks, the rain beats on the windows, the sea roars below.


The doorbell rings.

On the intercom, a female voice. "Excusez-moi de vous déranger," the voice says, "je ne peu pas expliquer trop, mais je suis Donna Pérignon," (Sorry to disturb you, I can't explain too much, but I am Donna Pérignon)." "Donna?", I ask, and she replies: "Yes, Donna like in Ma-Donna, or Donna-stag, or Donna Versace, or Gianni Versace, or Giorgio Armani, or Emporio Armani, or Emperor Napoleon." I push the remote for the gate. Michelle Pfeiffer emanates from the dark.

-"You can't be Michelle Pfeiffer", I say.
-"How so?", she replies.
-"You are without your entourage."
-"Elémentaire, chèr Watson, she replies.
-"Enchanté", I say.
-"I am coming for ... ," Her voice trails off, her sentence ceases. Then, in French: "C'est urgent, mais d'abord, Pérignon."



A pause. She gazes at me through her shades---she wears shades at night, radioactive vision, cool. What can I say? "Pérignon, Pérignon" I say to Chang. Chang gives me the Marx Brothers look. "Any Pérignon left in our cellars?" I ask, kindly.

Chang has been a fan of Keeping up Appearances, the BBC tragedy, all his life. He disappears, and while I am helping Donna to undress (only the coat), a cork pops in the kitchen, and Donna takes notice, and Chang reappears with three champagne glasses, filled. "Dom Pérignon", Chang says, handing out glasses. She raises her glass. "Santé," she says. She drinks.

Chang refills her glass, artfully hiding the label on the bottle. This bottle does not look like a Pérignon bottle to me (they have a special shape), and it does not look like a Pérignon bottle to Donna. She drinks some more. "Truth to be told," she says, "a great champagne tastes differently every day. Show me your blog."

We proceed to my desk.


"La vague géant," she commands, more Brigitte Bardot than Michelle Pfeiffer now. She sits down in my Eames aluminum chair. I bring up the giant wave posts on the screen (pictured). She studies the pictures, carefully, intently. Then she gets up. I need a cigarette, she says, and proceeds to the terrace outside. There, her glass is refilled, her cigarette lit.



She returns after a cigarette length. "The blue tulips," she commands. I'll go and fetch a blue tulip. She sniffs at the blue tulip.
-"Elementaire, chèr Michael", she says, and then, "Je dois partir maintenant" (I have to leave now). She claims her coat. We refill her glass. She sniffs her tulip some more. "Il n'y a pas des secrets" she says. She posits her empty glass on the secretaire in the hall, blows kisses, makes her exit, makes more of her exit, exits, is gone.