Michael Ampersant

Feb 1, 2020

Jan 28, 2020

Kate A. Hardy -- Londonia

Our friend Kate Hardy has a serious novel out with a serious publisher printed as a serious hardcover:

The book

The author

We are intensely jealous, of course.

(From the press release:)

Londonia is a magnificently immersive page-turner. Set in 2072, it seems at first to be a dystopia in which the internet and other modern technologies have collapsed. An elite have sealed themselves up in Central London, while everyone else has to get on as best they can, making-do, bartering, and cooperating with their neighbours. Moving between the two societies is Hoxton, a "Finder" of desirable objects, her own past a mystery to be solved, with the help of new friends. Can hope and friendship survive in this strange new world? . . .

(This is how it starts:)

‘Oi! Second floor. Is Tom Ov-Brixton in there?’ Tom takes a drag on the clay pipe and squints at me through the smoke. ‘Scrote. That’s my hitch—gotta get to the Forrist before darking.’ He abandons the pipe, rolls on top of me and kisses my forehead. ‘Beauteous, you are.’ I trace a finger over his lips. ‘You too.’ As we gaze at each other a brassy note sounds in the street, followed by the same voice, now more insistent. Tom leaves the bed and starts stuffing things into his kitbag. ‘Merda! Can’t find my wrist-clock.’ I hold the weathered disc out to him as he hops about, one leg trousered, the other a naked white streak in this dim room. ‘Here—it was under your felty.’ He pulls on the rest of his jeans, yanks the belt’s teeth into a well-used notch and takes the timepiece from me. ‘Wouldn’t want to go without that.’ ‘What’s the point of wearing it?’ ‘Hands still move, don’t they? Useful for calculating how much work time’s been done—aclockface,two,three. . . any lane, it was Dad’s. Not worth nothing but it’s a . . .’ ‘Mascot? Talisman?’ ‘Where d’you come from, wordsmith dame?’ He grins at me, face still rosy after the activity that has made this bed so warm. I risk the icy chill, slip out from the covers and scoot to the win-dow, a blanket about me. A makeshift carriage waits outside fronted by two horses, their breath pluming white. A man sitting behind them looks up at this window, waves his arms in a gesture of frustration and yells. ‘I foitling said, is Tom Ov-Brixton in there?’ Heaving up the sash I call down. ‘Just coming.’ Tom snorts a laugh, shoves the last item into his bag and envelops me, blanket and all into a hug. ‘Sorry, I gotta go, and so sorry you can’t stay here.’ I kiss his now-anxious face. ‘It’s fine. I’m ready to explore this . . . Londonia—find my way.’ ‘D’accord. They’ll be here soon-time. Tell ’em thanks for the loan of the room.’ ‘I will.’ ‘Can’t xacly take your address, can I?’ ‘Not until I get one.’ He smiles sadly. ‘Write me, p’raps. Ov-Brixton, Hepping-forrist—might find me. There’s a horse-letter-mec what goes in that direction—from Bethy-green.’ The brassy note shrills again and I look out to see the now furious-looking man, trumpet in hand. ‘Pizzin’ come on—got three more to pick up and Clasher territory t’get through.’ Tom shouts out a response, hugs me tight once more then he’s gone, footsteps clattering on the stairs. I consider the vast everything and nothing before me. I should perhaps layer-up and get out there to pace the streets and find . . . the next piece of this life, but the bed beckons again even with its biting population. The people that own these two rooms will return when the sun is directly overhead but as the sky is once again a sullen mass of cloud, it’ll be impossible to anticipate their arrival. Tom said the merde-mec always passes late morning with his cart of shit-filled buckets, so I’ll wait until then. The bed is still warm. I burrow down into the crackling straw and sweet-stale wool covers; curl, foetus-like, try to remember—anything from before these last few days of his kindness. A limpid blankness stares back at my mind’s eye before somnolence fills my conscience. A rattling sound from the street disturbs my slumber. Merde-mec? His call affirms. ‘Bring out yer merde, an’ scraps. Egg for a pail.’ Least I can do for the owners of this place. Hopping out from the covers I cram on shoes and coat and go into the tiny kitchen. The bucket of peelings is full, the other vessel, about half, judging by its weight—no desire to lift the lid . . . I take them and join the other residents walking down the stairs with their own various wastes. The conversation is of never-ending cold, a possible arrival of some charitable and benevolent outfit and scoop-trucks. As we reach the downstairs hall, I ask a man in front of me what these are. He looks at me beneath impressive eyebrows as if I am from a different planet—which I could be. ‘Just don’t be out on the street if you hear a sound like this.’ He emits a wailing cry to which another resident prods him—‘Nah—more like this.’ The hallway is filled with eerie moans until an old woman clangs her pail with a walking stick. ‘Foitlin’ shut it! Don’t we fear it enough wivout you lot doin’ a re-run.’

(You can order the book here, or here; enjoy!)

Jan 23, 2020

Portugal (23) -- Returning to France

Chang shot this picture this morning in the Heineken Bar of Terminal II of Lisbon airport:

(The lower right quadrant is not photo-shopped, it's just a TV screen)

The house-hunt failed, at least in the sense that we didn't find the ideal place; we'll try again in March.

(Chang asks me to add that we didn't actually drink Heineken at this bar at 7 AM; we had pretty, yet overpriced Cappucini instead)

Jan 21, 2020

Portugal (22) -- this afternoon

The walk to the Praia do Norte (the northern beach -- that's where the big waves happen) takes us past a deer sanctuary:

Jan 19, 2020

Portugal (21) -- This afternoon, on the beach

Jan 17, 2020

Portugal (20)

A rainy day on the beach of Nazaré (still house-hunting):

Picture, as always, by Chang

Jan 12, 2020

Nazaré again -- Portugal (19)

We've just arrived in Nazaré, Portugal, for a glass of Sangria and a house-hunt. Wish us good luck. Picture taken on the patio of our favourite beach haunt, the Inn Bar.

Hitlist

https://joselito28.tumblr.com/post/190209137652

Jan 5, 2020

Star Wars Episode IX -- Review

We're still living in Le Trayas, 19 kilometers from Cannes, or 19 quilometros, as they say in Portugal, whereto we are planning to relocate. We kept a Netflix subscription for three or four months last year, during which we watched ONE movie. So we canceled Netflix and decided to resume our occasional excursions to Cannes, where the theaters may show movies in English. And yesterday we went to see the latest Star Wars movie...uh, what was the title..."The Rise of Skywalker" (yes).

This is the Esterel, seen from Cannes, the "mountain" range where we live

I don't quite remember, but this may have been my first time to walk out of a movie before it ended. I had read the reviews, which were so-so, but not devastating.
You watch this movie like you're reading a recipe...
-- "Make sure to satisfy all demographics that count, and don't forget the Marsians and all the other good people of the galaxy;"
-- "Make sure to ignore the established laws of physics, because hard-working American Families, including Donald Trump's, don't care" (so we have this obnoxious space travel going on all the time, and it's particularly grating that we are informed that they travel at the speed of light (meaning, if they are crisscrossing a serious galaxy, that they would still need hundreds or thousands of years to get anywhere));

We could serve as a Star Wars location, save for the beach umbrella

-- "Make sure to separate GOOD from EVIL."
-- "Don't offend anybody," meaning that SELF-HELP is the only permissible ideology/religion left to support the GOOD GUYS. And so we are constantly treated to blatant falsehoods such as 'You can do anything, if you want,' or 'Good people will fight, if we need them,' or 'The force will be with you, always,' or 'Was this review helpful?'
-- (as a lemma to the last ingredient:) "Don't use swear words, or any such thing. And...sex is out of the question, unless it happened light years ago between Harrison Ford and Princess Leia."

"Uuhm"

So, we walked out. It was Chang, partner and photographer, who noted that I was constantly looking at my watch, and suggested that we'd leave.
The special effects are trying to be more special than any previous special effects, and this race is going on now for a hundred years. As this movie shows, there are special limits. We liked the special waves, though (link), because the place we are moving to in Portugal has the highest surfable waves on the planet:

Nazaré, on November 22, 2018

Have a look at the link. Nazaré's waves are better.

Dec 17, 2019

You'll love this

Here, fresh from The Onion:

GLEN FALLS, NY—--Revealing that her lousy peers’ advice had been invaluable, aspiring novelist Alicia Duncan confirmed Tuesday that the writer’s retreat she’s attending provides a great opportunity to receive critical feedback from other nobodies. “It’s been incredible to spend the week getting diverse perspectives on my memoir from a bunch of fresh MFA graduates and bored retirees, none of whom have ever been published,” said Duncan, adding that she enjoyed attending daily workshops about how to get a literary agent taught by a college professor whose only published book is about how to get a literary agent. “The $1,500 tuition is pretty steep, but it’s worth it for all the networking I’ve been able to do with people who have no industry connections and cannot help me. Every day we read our work aloud and take turns talking out our asses before sitting in on lectures from people who have barely sold 10,000 copies in their whole careers. They helped me figure out how to make my characters more two-dimensional and the best way to build out my story arc so it’s more convoluted.” Duncan added that she was eager to take all the inane, toothless critiques she’d received and turn them into something unreadable.

Dec 15, 2019

Green Eyes: One-liners on line

Cool, folks, cool. A friend alerted us to a link on Meme to our Green Eyes franchise. It has quotes from the two books, like: "That was quick but profound; more profound than a quickie":

There are more quotes. Here, "classical-drama quotes" (we are always about everything):

"Classical drama depends crucially on people not having cell phones."

Give it a try.

The Lambda Literary Award finalist