Oct 14, 2014
Oct 13, 2014
Gallery (15) Steve Walker
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| "David and me," Steve Walker (1961-2012) |
(Okay, here they are again (the few lines, John speaking)): "There’s a passage in David Leavitt’s “The lost language of Cranes” that comes back to me once a year or so, one of the characters relating a story of him and a very young boyfriend visiting Florence, and as they enter the hall of Michelangelo’s David, the eyes of the crowd are drawn away from the statue and to the magnetic beauty of this very young boyfriend. It doesn't read as if Leavitt made this up, this somehow really happened to him. Anyhow, the boyfriend must have looked like Romeo---by analogy, I mean.")
(More art on the gallery page)
Whiskey, Tango, Foxtrot --- Chapter III (not a review)
We're not good at reviews unless we can complain about Hollywood producers not understanding what "ion propulsion" means, or not knowing about the ambient temperature on Titan, the Saturn moon, or/and so on.
So this is not a review but a post about the third chapter of Dave Shafer's debut novel "Whiskey, Tango, Foxtrot." We're jealous of the success of his book, of course, but that doesn't keep us from really loving the third chapter. The book is about a global conspiracy (data, computers, etc) but we have no clear idea of the conspiracy yet in Chapter III where we meet the main protagonist of the story, Mark Devreaux. Mark graduated from Harvard, like his ex-friend Leo, another important protagonist---amazing how many people graduate from Harvard in American novels (although Shafer graduated from Harvard himself, so he holds some poetic license).
Mark is/was a copy writer at some internet upstart---amazing how low Harvard graduates can fall in American novels---but then he has a creative night with OxyContin (the drug), Pouilly-Fuissé (the chardonnay, usually overpriced in our opinion---St. Veran, also a white Beaujolais, has a much better quality-price quotient) and with an IBM selectric (that was/is a typewriter, a technology not quite up to the tricks of ion-propulsion). So Mark pulls an all-nighter and writes a piece about "Motivation in an Unjust World." The piece is discovered by James Shaw, the quasillionaire and godfather of the conspiracy we don't know of yet, so Mark is duly booked for Margo!, a talk show hosted by Margo, the Oprah Winfrey look-alike.
So this is not a review but a post about the third chapter of Dave Shafer's debut novel "Whiskey, Tango, Foxtrot." We're jealous of the success of his book, of course, but that doesn't keep us from really loving the third chapter. The book is about a global conspiracy (data, computers, etc) but we have no clear idea of the conspiracy yet in Chapter III where we meet the main protagonist of the story, Mark Devreaux. Mark graduated from Harvard, like his ex-friend Leo, another important protagonist---amazing how many people graduate from Harvard in American novels (although Shafer graduated from Harvard himself, so he holds some poetic license).
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| Dave Shafer |
Oct 12, 2014
Oct 5, 2014
Oct 1, 2014
Sep 30, 2014
Yesterday ---- Part II: Sex on the Eames chair (really)
Finally, folks, the second part of our true-true short story about the visit of our friends from Australia. A third (and last part) will follow. (For the first part go here)
Josh and Jason slept well. They brought good winter weather, a light mistral with dry clear air and steely blue sky. We’ll go visit Saint Tropez. It would be me, today, who would have to make the move, but it’s easier to talk about the corniche or the Forêt Domanial de l’Esterel, the natural park of marais and pine trees that surrounds Le Trayas and protects us from over-development, we’ve recently met a fox up there. I point to a villa on the cliff which supposedly belonged to Greta Garbo (everything is a rumor here, and they are always false). We’ve reached St. Maxime when I finally muster the chutzpah to say: “Chang tells me you’ve sucked his dick last night.”
“Yes,” they say.
“It’s unfair,” I say. They laugh.
We arrive in St. Tropez and walk along the quay where Brigitte Bardot lived in Dieu créa la femme (the next house accomodated La cage aux folles, Birdcage was the remake). We take turns taking pictures of us and the sea. I ask Jason to zoom in on the northern horizon with his Canon EOS 70D and point to the tip of Miramar, a stone throw away from our house in Le Trayas. “It’s unfair,” I say, “they can see us, but we can’t see them.” We laugh.
Josh and Jason slept well. They brought good winter weather, a light mistral with dry clear air and steely blue sky. We’ll go visit Saint Tropez. It would be me, today, who would have to make the move, but it’s easier to talk about the corniche or the Forêt Domanial de l’Esterel, the natural park of marais and pine trees that surrounds Le Trayas and protects us from over-development, we’ve recently met a fox up there. I point to a villa on the cliff which supposedly belonged to Greta Garbo (everything is a rumor here, and they are always false). We’ve reached St. Maxime when I finally muster the chutzpah to say: “Chang tells me you’ve sucked his dick last night.”
“Yes,” they say.
“It’s unfair,” I say. They laugh.
We arrive in St. Tropez and walk along the quay where Brigitte Bardot lived in Dieu créa la femme (the next house accomodated La cage aux folles, Birdcage was the remake). We take turns taking pictures of us and the sea. I ask Jason to zoom in on the northern horizon with his Canon EOS 70D and point to the tip of Miramar, a stone throw away from our house in Le Trayas. “It’s unfair,” I say, “they can see us, but we can’t see them.” We laugh.
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| Jason takes this picture, Josh (or I) hold him in place |
Sep 29, 2014
Five is logic
(Let's post this before we post anything else:) If you're a writer, you're getting five daily emails from The Writer's Digest, all titled "X rules for leveraging your epic lack of talent." Along those lines, we read on the pages of Longform Reprints about Mike Caren, the president of Warner:
"His second discovery was that he could encourage the writing of hits by urging songwriters to follow his nine rules of hit songwriting. While Caren’s rules are not comprehensive or exclusive, it is easy to measure their value by a glance at the dozens of gold and platinum records hanging in his office. He is happy to run down his rules for me. “First, it starts with an expression of ‘Hey,’ ‘Oops,’ ‘Excuse me,’” he begins. “Second is a personal statement: ‘I’m a hustler, baby,’ ‘I wanna love you,’ ‘I need you tonight.’ Third is telling you what to do: ‘Put your hands up,’ ‘Give me all your love,’ ‘Jump.’ Fourth is asking a question: ‘Will you love me tomorrow,’ ‘Where have you been all my life,’ ‘Will the real Slim Shady please stand up.’”
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| Mike Caren |
Sep 28, 2014
Sep 27, 2014
Sep 25, 2014
Sep 24, 2014
Spot the difference
We had this interview on The Way She Writes about "linguistically challenged" writers like us, where we were saying typical &t-things like...
...and people responded with nervous emails along the lines of...what's your secret, what's your secret...?
Here it is (the secret):
Spot the difference.
PS: Cathy Ulrich from Hollywood Hates Me writes: "What difference? I can see no difference."
I am (and have always been) fairly absent-minded. Absentmindedness is a strength, I think, not a weakness, in general it’s a good thing to be somewhere else with your mind....and there was this author picture...
...and people responded with nervous emails along the lines of...what's your secret, what's your secret...?
Here it is (the secret):
Spot the difference.
PS: Cathy Ulrich from Hollywood Hates Me writes: "What difference? I can see no difference."
Sep 22, 2014
Sep 19, 2014
Sep 15, 2014
Sep 14, 2014
"After Auschwitz---no more poetry!"
"Alles hängt mit allem zusammen," (everything is connected with everything) would Norbert Elias say, the German sociologist and first recipent of the Theodor W. Adorno Price. It wouldn't be an Adorno saying however, because the man himself, the heavy thinker of "Critical Theory" and its Frankfurter Schule, would never say (or think) things as simple as this.
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| Theodor W. Adorno |
But there you have it. We wake up, tumble upon a link to The New Yorker and read an article on Theodor W. Adorno and his Frankfurter Schule and learn that "he died of a heart attack in the shadow of the Matterhorn."
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| The Matterhorn |
That's us here in Switzerland, folks, the Matterhorn is right around the corner. And yes, alles hängt mit allem zusammen, Adorno suffered his attack, was brought to the nearest hospital and died there, an unassuming Spital located in Visp, Valais, Switzerland, unassuming except that yours truly spent a whole week in the same hospital, his first time ever as a hospital patient, waiting for his foot to unswell so that Dr. Ursprung could repair his broken fibula.
Sep 12, 2014
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