(Hat tip: Joelle Casteels)
Oct 16, 2014
Oct 14, 2014
Oct 13, 2014
Gallery (15) Steve Walker
"David and me," Steve Walker (1961-2012) |
(Okay, here they are again (the few lines, John speaking)): "There’s a passage in David Leavitt’s “The lost language of Cranes” that comes back to me once a year or so, one of the characters relating a story of him and a very young boyfriend visiting Florence, and as they enter the hall of Michelangelo’s David, the eyes of the crowd are drawn away from the statue and to the magnetic beauty of this very young boyfriend. It doesn't read as if Leavitt made this up, this somehow really happened to him. Anyhow, the boyfriend must have looked like Romeo---by analogy, I mean.")
(More art on the gallery page)
Whiskey, Tango, Foxtrot --- Chapter III (not a review)
We're not good at reviews unless we can complain about Hollywood producers not understanding what "ion propulsion" means, or not knowing about the ambient temperature on Titan, the Saturn moon, or/and so on.
So this is not a review but a post about the third chapter of Dave Shafer's debut novel "Whiskey, Tango, Foxtrot." We're jealous of the success of his book, of course, but that doesn't keep us from really loving the third chapter. The book is about a global conspiracy (data, computers, etc) but we have no clear idea of the conspiracy yet in Chapter III where we meet the main protagonist of the story, Mark Devreaux. Mark graduated from Harvard, like his ex-friend Leo, another important protagonist---amazing how many people graduate from Harvard in American novels (although Shafer graduated from Harvard himself, so he holds some poetic license).
Mark is/was a copy writer at some internet upstart---amazing how low Harvard graduates can fall in American novels---but then he has a creative night with OxyContin (the drug), Pouilly-Fuissé (the chardonnay, usually overpriced in our opinion---St. Veran, also a white Beaujolais, has a much better quality-price quotient) and with an IBM selectric (that was/is a typewriter, a technology not quite up to the tricks of ion-propulsion). So Mark pulls an all-nighter and writes a piece about "Motivation in an Unjust World." The piece is discovered by James Shaw, the quasillionaire and godfather of the conspiracy we don't know of yet, so Mark is duly booked for Margo!, a talk show hosted by Margo, the Oprah Winfrey look-alike.
So this is not a review but a post about the third chapter of Dave Shafer's debut novel "Whiskey, Tango, Foxtrot." We're jealous of the success of his book, of course, but that doesn't keep us from really loving the third chapter. The book is about a global conspiracy (data, computers, etc) but we have no clear idea of the conspiracy yet in Chapter III where we meet the main protagonist of the story, Mark Devreaux. Mark graduated from Harvard, like his ex-friend Leo, another important protagonist---amazing how many people graduate from Harvard in American novels (although Shafer graduated from Harvard himself, so he holds some poetic license).
Dave Shafer |
Oct 12, 2014
Oct 5, 2014
Oct 1, 2014
Sep 30, 2014
Yesterday ---- Part II: Sex on the Eames chair (really)
Finally, folks, the second part of our true-true short story about the visit of our friends from Australia. A third (and last part) will follow. (For the first part go here)
Josh and Jason slept well. They brought good winter weather, a light mistral with dry clear air and steely blue sky. We’ll go visit Saint Tropez. It would be me, today, who would have to make the move, but it’s easier to talk about the corniche or the Forêt Domanial de l’Esterel, the natural park of marais and pine trees that surrounds Le Trayas and protects us from over-development, we’ve recently met a fox up there. I point to a villa on the cliff which supposedly belonged to Greta Garbo (everything is a rumor here, and they are always false). We’ve reached St. Maxime when I finally muster the chutzpah to say: “Chang tells me you’ve sucked his dick last night.”
“Yes,” they say.
“It’s unfair,” I say. They laugh.
We arrive in St. Tropez and walk along the quay where Brigitte Bardot lived in Dieu créa la femme (the next house accomodated La cage aux folles, Birdcage was the remake). We take turns taking pictures of us and the sea. I ask Jason to zoom in on the northern horizon with his Canon EOS 70D and point to the tip of Miramar, a stone throw away from our house in Le Trayas. “It’s unfair,” I say, “they can see us, but we can’t see them.” We laugh.
Josh and Jason slept well. They brought good winter weather, a light mistral with dry clear air and steely blue sky. We’ll go visit Saint Tropez. It would be me, today, who would have to make the move, but it’s easier to talk about the corniche or the Forêt Domanial de l’Esterel, the natural park of marais and pine trees that surrounds Le Trayas and protects us from over-development, we’ve recently met a fox up there. I point to a villa on the cliff which supposedly belonged to Greta Garbo (everything is a rumor here, and they are always false). We’ve reached St. Maxime when I finally muster the chutzpah to say: “Chang tells me you’ve sucked his dick last night.”
“Yes,” they say.
“It’s unfair,” I say. They laugh.
We arrive in St. Tropez and walk along the quay where Brigitte Bardot lived in Dieu créa la femme (the next house accomodated La cage aux folles, Birdcage was the remake). We take turns taking pictures of us and the sea. I ask Jason to zoom in on the northern horizon with his Canon EOS 70D and point to the tip of Miramar, a stone throw away from our house in Le Trayas. “It’s unfair,” I say, “they can see us, but we can’t see them.” We laugh.
Jason takes this picture, Josh (or I) hold him in place |
Sep 29, 2014
Five is logic
(Let's post this before we post anything else:) If you're a writer, you're getting five daily emails from The Writer's Digest, all titled "X rules for leveraging your epic lack of talent." Along those lines, we read on the pages of Longform Reprints about Mike Caren, the president of Warner:
"His second discovery was that he could encourage the writing of hits by urging songwriters to follow his nine rules of hit songwriting. While Caren’s rules are not comprehensive or exclusive, it is easy to measure their value by a glance at the dozens of gold and platinum records hanging in his office. He is happy to run down his rules for me. “First, it starts with an expression of ‘Hey,’ ‘Oops,’ ‘Excuse me,’” he begins. “Second is a personal statement: ‘I’m a hustler, baby,’ ‘I wanna love you,’ ‘I need you tonight.’ Third is telling you what to do: ‘Put your hands up,’ ‘Give me all your love,’ ‘Jump.’ Fourth is asking a question: ‘Will you love me tomorrow,’ ‘Where have you been all my life,’ ‘Will the real Slim Shady please stand up.’”
Mike Caren |
Sep 28, 2014
Sep 27, 2014
Sep 25, 2014
Sep 24, 2014
Spot the difference
We had this interview on The Way She Writes about "linguistically challenged" writers like us, where we were saying typical &t-things like...
...and people responded with nervous emails along the lines of...what's your secret, what's your secret...?
Here it is (the secret):
Spot the difference.
PS: Cathy Ulrich from Hollywood Hates Me writes: "What difference? I can see no difference."
I am (and have always been) fairly absent-minded. Absentmindedness is a strength, I think, not a weakness, in general it’s a good thing to be somewhere else with your mind....and there was this author picture...
...and people responded with nervous emails along the lines of...what's your secret, what's your secret...?
Here it is (the secret):
Spot the difference.
PS: Cathy Ulrich from Hollywood Hates Me writes: "What difference? I can see no difference."
Sep 23, 2014
Sep 22, 2014
Sep 19, 2014
Sep 15, 2014
Sep 14, 2014
"After Auschwitz---no more poetry!"
"Alles hängt mit allem zusammen," (everything is connected with everything) would Norbert Elias say, the German sociologist and first recipent of the Theodor W. Adorno Price. It wouldn't be an Adorno saying however, because the man himself, the heavy thinker of "Critical Theory" and its Frankfurter Schule, would never say (or think) things as simple as this.
Theodor W. Adorno |
But there you have it. We wake up, tumble upon a link to The New Yorker and read an article on Theodor W. Adorno and his Frankfurter Schule and learn that "he died of a heart attack in the shadow of the Matterhorn."
The Matterhorn |
That's us here in Switzerland, folks, the Matterhorn is right around the corner. And yes, alles hängt mit allem zusammen, Adorno suffered his attack, was brought to the nearest hospital and died there, an unassuming Spital located in Visp, Valais, Switzerland, unassuming except that yours truly spent a whole week in the same hospital, his first time ever as a hospital patient, waiting for his foot to unswell so that Dr. Ursprung could repair his broken fibula.
Sep 12, 2014
Sep 11, 2014
Sep 10, 2014
Sep 6, 2014
Gallery (11) (Michel Plaisir)
"Le coeur tout zébré d'amour" Michel Plaisir (oil on canvas) |
(All rights reserved; reproduction in whichever form only with the permission of the artist)
(More artwork in our gallery)
Aug 23, 2014
Aug 22, 2014
Aug 18, 2014
Aug 11, 2014
Aug 9, 2014
Gallery (9) (Steve Walker)
"At five in the morning," Steve Walker (1961-2012) |
(There's more art on our gallery page)
Aug 1, 2014
Jul 30, 2014
Coming out and of age in China (1) (reblogged)
Cool, folks, cool, the first part of a wonderful story by Massoud Hayoun, an Arab-American who went to China at the age of 19 to learn Mandarin. The piece---originally published by Gawker---is here reblogged with the permission of the author. It will easily count as one of the best examples of gay writing this year...
He would have been my first, I suppose---a Korean student at some other school in Beijing's Wudaokou university district.
I'd met him on a website. You're the first and only person I've ever admitted that to, handsome reader. I suppose I want to feel closer to you.
I was 19, Arab-American, studying Mandarin and poli sci at a Chinese university. I was exceptionally awkward, and still under the impression that no one knew I was gay. They all knew and indulged me my illusions of illusiveness.
He was in his mid-20s. School was hard for him, he said, in our brief chat on a website for gay men in Asia.
I'd heard of a class of Korean students like him---unsuccessful and blowing their family's money away learning Mandarin, while China busily worked itself into the world's second-largest economy. Their parents wouldn't let them come home until they obtained a certificate of completion, and the Chinese universities appeared keen to keep accepting international student tuition fees, even if they were from the same students, year-in, year-out.
He was foreign---not just in the sense that we were of two different nationalities, living in China. He was a bad student, a rich kid, a magnificently athletic loser with a Rocky-like neanderthal chin and tall nose, the kind of man who is called, in Chinese, a baijiazi, a son who spoils his family's wealth. Fresh, preppy. He wore clothes my Chinese friends paid twice as much for at the bazaars: Korean fashion. His man-bag was made of real leather. He was a petit bourgeois; every lock of hair had been calculated and every pore tightened, perhaps surgically, because he had the time, money and inclination. He turned me on.
He would have been my first, I suppose---a Korean student at some other school in Beijing's Wudaokou university district.
I'd met him on a website. You're the first and only person I've ever admitted that to, handsome reader. I suppose I want to feel closer to you.
I was 19, Arab-American, studying Mandarin and poli sci at a Chinese university. I was exceptionally awkward, and still under the impression that no one knew I was gay. They all knew and indulged me my illusions of illusiveness.
(Just an illustration) |
He was in his mid-20s. School was hard for him, he said, in our brief chat on a website for gay men in Asia.
I'd heard of a class of Korean students like him---unsuccessful and blowing their family's money away learning Mandarin, while China busily worked itself into the world's second-largest economy. Their parents wouldn't let them come home until they obtained a certificate of completion, and the Chinese universities appeared keen to keep accepting international student tuition fees, even if they were from the same students, year-in, year-out.
He was foreign---not just in the sense that we were of two different nationalities, living in China. He was a bad student, a rich kid, a magnificently athletic loser with a Rocky-like neanderthal chin and tall nose, the kind of man who is called, in Chinese, a baijiazi, a son who spoils his family's wealth. Fresh, preppy. He wore clothes my Chinese friends paid twice as much for at the bazaars: Korean fashion. His man-bag was made of real leather. He was a petit bourgeois; every lock of hair had been calculated and every pore tightened, perhaps surgically, because he had the time, money and inclination. He turned me on.
Jul 29, 2014
The view this morning
Jul 25, 2014
Gallery (5) --reposted
(Pedro Palanca died yesterday from HIV-related liver complications --- we posted this only 10 days ago:)
"Drinking men," Pedro Palanca |
(For more art, go here)
"That's not enough!" (French for beginners)
Please read this...it's only one paragraph from the London Review of Books connecting our recent Foucault post (by Mr. E.) with our own faux-French background with our quest for happy endings (just so that you know, Alain Robbe-Grillet was the inventor of the nouveau roman)...please read this:
"By now, most readers in France had ceased to care [about Robbe-Grillet]; even his intellectual champions lost interest, although [Roland] Barthes stood by him. ‘Transgression’ had come to mean l’écriture féminine and gay erotica; Robbe-Grillet’s hetero-sadist fixations looked decidedly démodé, quite possibly reactionary. (Fredric Jameson wondered whether his books had become ‘unreadable since feminism’.) At the party for Barthes’s 1977 inaugural lecture at the Collège de France, Foucault confronted Robbe-Grillet: ‘I have told you this already and I will say it again, Alain: when it comes to sex, you are, and always have been misguided!’ Barthes rose to his defence, reminding Foucault that Robbe-Grillet was, at the very least, a pervert. Foucault replied: ‘Ça ne suffit pas!’"
Alain Robbe-Grillet |
"By now, most readers in France had ceased to care [about Robbe-Grillet]; even his intellectual champions lost interest, although [Roland] Barthes stood by him. ‘Transgression’ had come to mean l’écriture féminine and gay erotica; Robbe-Grillet’s hetero-sadist fixations looked decidedly démodé, quite possibly reactionary. (Fredric Jameson wondered whether his books had become ‘unreadable since feminism’.) At the party for Barthes’s 1977 inaugural lecture at the Collège de France, Foucault confronted Robbe-Grillet: ‘I have told you this already and I will say it again, Alain: when it comes to sex, you are, and always have been misguided!’ Barthes rose to his defence, reminding Foucault that Robbe-Grillet was, at the very least, a pervert. Foucault replied: ‘Ça ne suffit pas!’"
Jul 23, 2014
Jul 21, 2014
Jul 20, 2014
Jul 16, 2014
Jul 15, 2014
Gallery (5) (Pedro Palanca)
"Drinking men," Pedro Palanca |
(For more art, go here)
Jul 14, 2014
Jul 13, 2014
The fountain of Geneva (5) --- "Infinite Jest"
John and Alex, our friends from the Green Eyes, are being told the back story of the Fountain of Geneva, the most phallic object on the planet (in a liquid sense). Hadrian, the visiting Roman emperor (117-138 AD), had to help the Swiss locals deal with a ravaging Nordic tribe, the Muttoni. And he did so, apparently. Richard Zugabe, librarian of the city archives of Geneva, explains how (his last sentence was: "Nothing was ever heard of the Muttoni again.")
Part V --- "Infinite Jest"
There is a silence. “Cool,” Alex says. “You are going to elaborate?”
“I will try.”
“They got OD’d on this Megalo-wine,” I say, “they had no tolerance for the stuff.”
“Right, that would be hypothesis number one. It had been my working hypothesis until I discovered yet another document in the archives with an imperial order issued on the fifth of September of the same year, sending a platoon of Army Engineers across the Passo di Monte Moro into the Saas valley.
Saas valley, including Lake Mattmark, seen from the Passo di Monte Moro |
“Hadrian had been given a tour of the place, so you can assume that he was shown Lake Mattmark, a pearl of a mountain lake sitting right above the grounds of the Muttoni settlement.”
“Above the grounds? Above?”
___________________
The ice barrier would collapse and the water would gush down the valley and destroy everything in its path.
___________________
Jul 11, 2014
Jul 10, 2014
The fountain of Geneva (4) --- the Muttoni's last meal
John and Alex, our friends from the Green Eyes, are being told the back story of the Fountain of Geneva, the most phallic object on the planet (in a liquid sense). Hadrian, the visiting Roman emperor (117-138 AD), has to help the Swiss locals deal with a ravaging Nordic tribe, the Muttoni. And he does so in a circuitous way. He starts a school for erotic talent, the School of Antinous, named after his late lover. Richard Zugabe, librarian of the city archives of Geneva, tells the story.
“Yes, right. So, Hadrian would inspect his Antinousians lined up and fitted in Praetorian garb---the spectacular helmet with a feathered, Cherokee-like crescent fitted to the top, the breast-plate of chased bronze molded to the perfect fit of toned pecs and rippled abs, the humble belt with a loop for the scabbard and a notch to rest the shield. With the belt coming off everything else would drop, creating a wealth of quick opportunities behind (or in front of) the bushes.
“Trained personnel would see to the maintenance of the bespoke outfits. Hadrian, by the way, had by now been in residence for several months. His entourage had grown considerably with the addition of specialists from all walks of court life, spokespeople, equerries, not to mention personalized assistants who would handle Antinousian emails.”
“Huh?”
“Just to see whether you are still with me. So Hadrian would now select one or more of his pupils, meaning they were to join him on a dais fashioned for group activity---tiger skins, couches, cushions, ancillary toys---but the account I’m referring to is about a one-on-one from the early days of the program.
There he stands, naked, his genitals sparkling in the morning sun
The elected youth, Anaximandrius, takes Hadrian’s hand---it is his task now to seduce the Emperor---and lead him to the dais. He invites Hadrian to recline on a couch, then unties his sword and hands it to his personal assistant. Next comes off the helmet.
Part IV --- the Muttoni's last meal
“Yes, right. So, Hadrian would inspect his Antinousians lined up and fitted in Praetorian garb---the spectacular helmet with a feathered, Cherokee-like crescent fitted to the top, the breast-plate of chased bronze molded to the perfect fit of toned pecs and rippled abs, the humble belt with a loop for the scabbard and a notch to rest the shield. With the belt coming off everything else would drop, creating a wealth of quick opportunities behind (or in front of) the bushes.
Hadrian and Antinous, British Museum |
“Trained personnel would see to the maintenance of the bespoke outfits. Hadrian, by the way, had by now been in residence for several months. His entourage had grown considerably with the addition of specialists from all walks of court life, spokespeople, equerries, not to mention personalized assistants who would handle Antinousian emails.”
“Huh?”
“Just to see whether you are still with me. So Hadrian would now select one or more of his pupils, meaning they were to join him on a dais fashioned for group activity---tiger skins, couches, cushions, ancillary toys---but the account I’m referring to is about a one-on-one from the early days of the program.
___________________
There he stands, naked, his genitals sparkling in the morning sun
___________________
The elected youth, Anaximandrius, takes Hadrian’s hand---it is his task now to seduce the Emperor---and lead him to the dais. He invites Hadrian to recline on a couch, then unties his sword and hands it to his personal assistant. Next comes off the helmet.
Jul 8, 2014
Jul 7, 2014
The fountain of Geneva (3) --- erotic talent
John and Alex, our friends from the Green Eyes, are being told the back story of the Fountain of Geneva, the most phallic object on the planet, in a liquid sense. Hadrian, the visiting Roman emperor (117-138 AD), has to help the Swiss locals deal with a ravaging Nordic tribe, the Muttoni. And he does so in a circuitous way. He starts a school for erotic talent. Richard Zugabe, librarian of the city archives of Geneva, tells the story. Please note the adult content warning.
“When I said that Hadrian kept his plan secret, I meant he kept his intentions secret; the facts were plainly recorded. He put an empire-wide call out for, let me concentrate, let’s get this verbatim, for the primum proelium ego ingenium venereae.”
“Huh?”
“I-have-erotic-talent, roughly. You’ll see soon. The call was a big success, the emperor calls upon the youth of the nation, what do you expect, most Roman careers involved the casting couch. So he held his own talent show---even women were admitted in the audience---first to filter for physical features, then to identify sexual prowess, then to select the sensual few. Hadrian had a sensual soul, and he yearned for reciprocity.
These boys were not for one night, mind you; to complete the program they had to get laid for several months.
These boys were not for one night, mind you; to complete the program they had to get laid for several months. His final selection comprised exactly fifty specimen of the finest proto-erotici ever gathered in one place.”
“Wow,” I say.
Part III --- Erotic talent
“When I said that Hadrian kept his plan secret, I meant he kept his intentions secret; the facts were plainly recorded. He put an empire-wide call out for, let me concentrate, let’s get this verbatim, for the primum proelium ego ingenium venereae.”
“Huh?”
Publius Aelius Hadrianus Augustus (Hadrian), Palazzo dei Conservatori, Capitoline Museums. |
“I-have-erotic-talent, roughly. You’ll see soon. The call was a big success, the emperor calls upon the youth of the nation, what do you expect, most Roman careers involved the casting couch. So he held his own talent show---even women were admitted in the audience---first to filter for physical features, then to identify sexual prowess, then to select the sensual few. Hadrian had a sensual soul, and he yearned for reciprocity.
___________________
These boys were not for one night, mind you; to complete the program they had to get laid for several months.
___________________
These boys were not for one night, mind you; to complete the program they had to get laid for several months. His final selection comprised exactly fifty specimen of the finest proto-erotici ever gathered in one place.”
“Wow,” I say.
Jul 5, 2014
German for beginners (Sacha)
Most readers of this blog, we can safely assume, know this picture:
But how about this one:
(Saying: "The removal of this notice is strictly forbidden---The German Railways")
But how about this one:
(Saying: "The removal of this notice is strictly forbidden---The German Railways")
Subscribe to:
Posts (Atom)