This morning

Ever heard of Bob Marley?

(Give it a minute:)

The yellow parrot --- Green Eyes III --- "Ripley under ground" --- teaser

Cool, folks, cool. We somehow failed to get excited about the interaction between Sarah and her robot (the play we had started), but now, out of nothing, blissfully unprepared, we began writing the first chapter of the next installment of the GREEN EYES saga, "The Yellow Parrot"---yes, the previous part had a chapter about her already, an now we are going full Enid Blyton. (I'm fairly certain that a seasoned agent or publisher would advice a change of title, first thing in the morning).

Context: John has been asked by Alice Sandeman to replenish her shrinking stock of Eleanor Beasley paintings---Eleanor Wagner-Beasley, Godehart Wagner's spouse of convenience, now deceased. If your read the first part of the saga, you may remember that Eleanor specialized in canvasses of white dots painted on white backgrounds. So that's what John's doing in Alex's old pad, which has been transformed into a hide-away studio. 

One more thing, the chapter is titled: "Ripley Under Ground." And one more thing, we've hit another speed bump in the space-time-continuum, and were kicked right into the year of the Trump, 2017.


And now what? A typical Ampersant opening:


The doorbell rings. 

Alex’s attic is entirely on the wrong side of the tracks---compliments of his depression when he got the place three years ago---and so the bell is not a RRing, but a squirt of dying electricity. I buzz the buzzer carelessly, Amazon never rings twice.

A middle-aged man scales the stairs, huffing a bit, keeping his eyes on the rickety steps. He’s dressed in a rumpled, yet darkly-precious suit (made of silk-linen from Iran, his home country, we’ll learn later). There’s also a breast pocket handkerchief, which enters my focus when he arrives on the landing and raises his head. “My name is Souren Souleikan,” he says, lips poised, voice mildly accented, his eyes peeking past me into the den where Composition  #117 resides half-baked on its easel. 

He allows for three useless seconds of silence, then asks: “You are Alexander Iglesias, I take it?” 
“No,” I say. 
“Interesting,” he replies, his regard moving from my counterfeit composition to my left, smudge-painted hand. 
“Who are you?” I ask. 
“I’m Suren Souleikan,” he reiterates, smiling falsely. “The art critic.” He allows for more wordless seconds, then adds, “I’ve come at the right moment, I see. There’s some art that might need my attention. May I come in?”
“I’m busy,” I say, raising my dirty hand, but he’s already stepped into the den where he positions himself in front of my composition.
“You are the artist?” he asks, pointing at the canvas with an abstracted gesture. 

We told you so

Buy the book:

"Click"

From live reviews: 

"If you like Woody Allen, you will enjoy the book!" 
"I dreamt of the GREEN EYES and woke up happy." 
"Grab it an plan to read it from cover to cover immediately!" 
"A literate and wonderfully witty romp!" 
Wow! That was my first reaction to reading this book, my second reaction was plain and simple holy shit!"
"This is a perfect book for any adult reader!"

Last night

"And brother, can she write" --- book review of "Need to know" by Karen Cleveland

We get an email from John Grisham, the author, who talks about the "heady days" of his breakthrough novel, "The Firm," and about Karen Cleveland's firstling, the spy novel "Need to Know", which is apparently poised to mirror his own success.

Since we're wondering increasingly what makes a successful book of fiction, we push the Amazon button and download Cleveland's ebook.

The best thing about the book is the motto, taken from Oscar Wilde:

When one is in love, one always begins by deceiving one's self, and one always ends by deceiving others. That is what the world calls a romance.

Not the best thing about the book is its implicit promise of authenticity. The author is herself a counter-intelligence (CI) expert with the CIA, and so one would expect her tome to convey something of an insider's view of modern spying. Well, to the extent that it does, Cleveland's profession has gone the way of most other occupations: workers and co-workers are couched in cubicles where they stare at computer screens when they don't spy on each other or drive home to collect offspring from overpriced private schools that charge five dollars per child per minute of pickup delay. And after a sexless night (Goodreads reviewers have congratulated themselves on the fact that there is no sex in the book) she kisses her husband ("Matt") goodbye and is back to Langley where she---in this age of algorithms---has been developing her own ALGORITHM, a program that's supposed to filter Russian spies from the rest of the population. Even better, her task is accomplished and today's the day to put her invention to work. She hits a few keyboard buttons and there he appears on the screen, her first Russian spy, and it is---spoiler alert---her husband, Matt.

French for beginners --- Ikea

(Maud sends us this cartoon:)