History of the world --- Venice (3)

When yours truly arrived in Venice 25 years ago for a brief sojourn at the Business School, Massimo, his correspondent, picked him up at the airport and took him to a down-town café stuffed with pastries, liqueur bottles, and high tables inviting patrons to stand and drink sprits, small glasses of white wine with a schuss, a few drops of Cinzano, say. The spritz then was the stuff of true Venetians, tourists wouldn't know and drink Chianti or Campari instead---if they would drink in the morning, that is, because true Venetians had two spritzes at breakfast. Habits have changes in the meantime; the spritzes have tripled in size and been taken over by tourism, so true Venetians refrain from the stuff and drink lager instead.

"I'll spritz you."

I spent two weeks in Venice as a non-tourist and learned a lot, especially about tourism. Already then, Venice was almost completely touristicated---cool, folks, what an ugly word, "touristicated," but the spell checker doesn't recognize it so it's possibly a neologism¹---, and the locals behaved like a dying breed. They would avoid tourists like the plague, would only patronize their own restaurants (hidden away in secret alleys where the food was three times better), would not speak English, would not know about directions, would not make appointments because you only had to step into the street to meet friends, would sit on roof-top terraces and enjoy life, would spend week-end afternoons in secluded gardens (not having sex, by the way, just dozing off jointly for a few hours), would recognize the voices of the passing gondoliers at night (while still enjoying life on the roof-top terraces)...

Now you see it, now you don't --- Venice (2)

Now
(Chang's sister in the left foreground, green jacket)

you

The width of a circle --- Venice (1)

You've made it, you're wealthy now, and preferably American, because Americans are more likely to do it than other mortals. You've already donated a bundle to many causes (causes, let's face it, is now a standard entry on any celebrity's resumé), but soup kitchens and AIDS and blood diamonds get you only so far, and you're among the 53% that love art (as opposed to the 47%), you totally love it, and you totally admire artists, who need all the help they can get since Puccini told us about Mimi and van Gogh, so a foundation it is, a new foundation in support of the ARTS, because there are simply not enough of these foundations. Like. 

Now, your foundation needs to be visible since this is not about you, but about the ARTS. And you always totally loved Venice. Venice, la serenissima, the only city in the world that is in itself a Gesamtkunstwerk, the only city worth your efforts except your hometown that's already stuffed, stuffed, stuffed with a Lisa Hooksey museum (that's your name), and a Lisa Hooksey wing of the local hospital, and a Lisa Hooksey conference room at the local college, and so on, and so it's Venice. 

Venice, Grande Canale, home to the grandest art foundations

Relax (Tony)

(0.5 million page views in one week. 10k likes. Where could that be?)

Adrift from Simon Christen on Vimeo.

Yes, it's San Francisco, CA, the city of our dreams.

Sunday Mornning matinée (Reblogged)

Cathy Ulrich writes on her famous blog Hollywood hates me:

This morning, I saw a baby llama. At first, I was going to gloat about it, all "I saw a baby llama and you didn't," but then I decided that everybody deserves to have a nice day, so here's a picture of a baby llama to cheer you up.

 Unless you don't like baby llamas, you monster. 

_____________________________________

Update:

It's only a matter of time and Cathy will be the hero of a forthcoming novel, titled FAC, about a girl, named Ann, who's running this brilliant blog, Hollywood hates me, which is famous for its captions. One fine day a fellow blogger, a certain Michael, suggests she "monetarizes" her talent by starting a consultancy, FAC, which is alphabet soup for "Find a caption." Her business takes off immediately, everybody needs her help, but her sudden fame attracts the attention of various agencies that have infiltrated the infamous terrorist organization Famala' al Cqaada based in Cairo, Egypt. Yes, you guessed right, Famal al Cqaada is known in the trade as FAC. Confusion reigns until Ann is abducted by said Famala' al Cqaada to serve as a bargaining chip in the war against (or for) terrorism. Ann's goose seems cooked, but the washed-up scriptwriter thought up a romantic interest, just in time, whose (a) nom de guerre is Raoul, who's (b) a quintuple agent (or some such, we all lost count), and  who (c) is really handsome. Raoul can't even speak proper Arabic, but that doesn't matter since he's really handsome and all his co-terrorist can't speak proper Arabic either --- the terrorist cell consists of nothing but counter-agents. Ann is becoming increasingly aware of this and communicates her findings per email to her kin back home. The NSA intercepts the communication and decides to protect its sources and "take her out." So everybody is after her. Ann, in the meantime, continues to build her business per internet from her cell in the basement of the Cairo dungeon. Consultancy money piles in and up (Condé Nast pays a million per caption), but the funds are misappropriated by evil Wall-Steet types. Ann is elected business woman of the month, quarter, and year, she wins the Emmy and the Oscar for captions, and the American security forces create a fake stand-in ("Ann") who will collect the awards and give speeches in Ann's stead. The plot thickens unpredictably. Sheer serendipity leads to the untimely death of many Wall-Street types, secret agents, middle-men, and Tea Party members. Lot's of Tea Party members; it will be fairly graphic ("Uuurghh"). Good will triumph over Evil, and there's a dog also called "Ann" which will  survive. Raoul, in the meantime, who looks like Benedict Cumberbatch, will fall more and more in love with Ann until she saves his life and they live happily ever after. Stay tuned.

There's some galactic metaphysics at work...

The Mercedes ML 270 CDI

Yes, we're doing some maintenance work on the house, a friend of Chang was flown in from Korea to help us. And, as you may have noticed on other occasions, it's almost impossible not to find a pretext for dropping yet another quote from the Green Eyes so here it is, the quote, from Chapter 35, Two visible spots:

Godehart is not at home, we'll descend to the basement where Alice grabs three oils on canvas without much ado, although "grabs" is not the right word since there are too many paintings to choose from, not only dotted ones (several racks are filled with plain gray canvas-squares, other racks contain large French flags, or German ones, give and take a color here and there), plus, the paintings are large and require the input of two reasonably agile men. They barely fit into the truck, we have to lower the rear seats, but—-as you may have observed on other occasions—-there's a galactic metaphysics at work in that it’s almost impossible not to fit anything into an aging Mercedes ML.

When we arrive at the FedEx outfit in Lewes, the situation has changed significantly. Alice is in trouble now maintaining her anger—-let’s throw in a really tasteless, and completely misleading analogy here, think of maintaining an erection during a faculty meeting at my hippocampus—-Alice is in trouble, there are credibility problems with her indignation, and you only have to look at Alex to understand why. Save for his eyes, Alex has disappeared. While Alice negotiates the FedEx bureaucracy, Alex is standing next to her, but not like Ben. A ghost is standing there, his hands folded behind his back, and you can sense, feel, undergo how he's forcing himself to stay in place. Women are usually more sensitive than men, and Alice is very sensitive indeed, she has trouble getting her act together now with Alex in this state.

You're still there? Then why don't you buy into the GREEN EYES saga and 

order now...

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Scorpio (Jezza Smilez)

Off the cliff

We've been discussing this with Glenn and others since a while: the American Right, we argued, is still fighting the issues of the 1861 secession; the trenches of the culture wars are more or less aligned with the Mason-Dixon line. And here's the latest from Frank Rich, the world's leading we-told-you-so artiste, to say it so much more succinctly than we could.

(Follow the link and read the whole piece, our Rich-quote here is just a pretext to hawk yet another fragment from the Green Eyes. First Rich:)

"Implicit in this bipartisan gallows humor was an assumption shared by most of those listening: The non-legislating legislators responsible for the crisis [the Right Wing of the Republican Party in the American Congress] are a lunatic fringe — pariahs in the country at large and outliers even in their own party. They’re “a small faction of Republicans who represent an even smaller fraction of Americans,” as the former Obama speechwriter Jon Favreau put it in the Daily Beast. By this line of reasoning, all that kept them afloat was their possession of just enough votes in their divided chamber to hold the rest of America temporarily hostage to their incendiary demands.

"Let's meet in the middle."

Find a caption (Jacki)

More or less --- read all about it

You've probably seen this, on Amazon, the opening lines of a book description, next to the image of the book cover with a Read more link underneath that yields a few more lines when clicked. So you click and read the rest of the description, perhaps 15 lines in total. And when you've reached the end, the end of the text, there's another link, which says...

"Read less"

(Just trying)

"Looks like someone out of Kenya" --- the Tea Party protesting at the White House during the weekend

And while we are at it, here's a fitting fragment from the Green Eyes, Ch. 27: I'll charge 100 dollars but am willing to negotiate:

"We're dressed, ready to roll, Ben's got hold of an inch of the fliers, how do we get hold of my father? He has a cell-phone, right? Let's hope he’s not behind on the payments. Technology works, so I tell my father my truck is broken, I need to borrow his car, right now, to drive a friend to the Greyhound terminal in Ocean View. I'll be at the parking lot in two minutes. As we exit the main entrance his back is turned to us, he's expecting us coming down the ramp, he isn't even aware we're coming from upstairs. I won't call him out of course, from behind, or touch his shoulder, I never touch him, save sometimes on the third day, when I throw him out. So I just walk around him in a semi-circle, perimeter of 20 feet, Ben-John next to me, Ben proudly holding his stack of fliers, grinning. Let a little mystery prevail. Ben is born in Kenya, right? I just extend my hand, say nothing, until it holds the car keys, hand father the apartment key (the spare one, of whose existence he's unaware) we get into his crappy, reddish, dirty, misparked Chevy, Ben waves with his hands to my father, still holding the fliers. We've not said hello, we've not said goodbye, we're good." 

It's cold outside

A tiny reptile (I think it's a salamander, not a lizard (Jacki, what's your take on this?)) on the inside of the widow pane of the bedroom, before sunrise. Real tiny, tinier than it looks on the picture, with large, bulgy peepers, eying me suspiciously as I take the shot. Coldest morning so far this autumn.

Update: I's a gecko, Jacki and Muad write in unison! (Thanks, Ladies!) And then Maud adds ominously in her email: "You're lucky, you don't have cats." It's a Hobbesian world out there, folks, even on a Sunday morning (at least higher up the hill, where Maud lives).

Back in the house

The view yesterday, Oct 8, around 7 PM

(The rental season is finally over; we moved back into the house yesterday)

Defcom, defcom (Maud)

This chainmail joke has made the rounds at least three times --- that's the number of times we received it, Maud was the last to send it. It's perhaps a bit dated now with the tension over Syria easing, but was composed by John Cleese of Monty Python fame. It's not necessarily his best joke but Cleese's so good, even his routine jokes are still worth it. So lets kill it, the joke, by trying to explain.

John Cleese

It starts thus:

The English are feeling the pinch in relation to recent events in Syria and have therefore raised their security level from “Miffed” to “Peeved.” Soon, though, security levels may be raised yet again to “Irritated” or even “A Bit Cross.” The English have not been “A Bit Cross” since the blitz in 1940 when tea supplies nearly ran out. Terrorists have been re-categorized from “Tiresome” to “A Bloody Nuisance.” The last time the British issued a “Bloody Nuisance” warning level was in 1588, when threatened by the Spanish Armada.

Why is this paragraph funny? Well, because, (a) it reinforces common prejudice about the English as understated and stiff-upperlipped people (most jokes derive their fun from prejudice), (b) it reaches its aim by displacing the hierarchy of defcoms alert levels with a more fundamental ordering on the (purported) English character. 

We've created a schema for fun. Whom else is around to apply it to? Let's start nearby, one step at a time. The Scots, right:

"Always the same" --- reblogged (Lokfire)

From Lokfire's brilliant site Hollywood hates me, here's another reblog:

Lately, I've noticed a local business has a sign on their marquee that says: "Always the Same." I think it's supposed to be reassuring, but I find it rather depressing.

Look, I know nothing wonderful is ever going to happen to me, but do you have to rub it in?

Freedom Fries --- Chapter 4, Part I ("We didn't keep America safe")

Previously, George W. Bush has retired, and a change of heart. Events ensue, involving John Yoo, professor at Berkeley law school and author of the infamous torture memos of the Bush administration, Pamela Nachtrieb Timbers, dean of said law school, George Lukacs, who was Pamela's lover in the distant past and has invented hedge funds in the meantime, a certain President Hu, another of Pamela's (very former) lovers, and Samuel Fisher, Founder of LYNX, a TV network of fair and balanced repute (who was never Pamela's lover and possibly never will be because he's gay). Fisher isn't happy with the ratings and experiments with new people meters that measure a TV-audience's reaction by telepathic means. 

Pamela wants to get rid of Yoo, and Lukacs has promised to help. But for now, we are back at Chapel Hill, Bush's farm, where the change of heart continues. 

Laura studies the mirror next to the fridge. She had just dismissed George for getting into another tussle with the silverware. He had offered to help with the dishes, and she had turned him down again, but he had insisted this time and followed her to the kitchen and started to load the dishwasher. She persisted, he persisted. She had won, however.

Chapel Hill, G.W. Bush's  farm in Crawford, Texas

Ninety percent of Americans marry at least once, and twenty percent of all marriages are distressed at any point in time, statistically. Ours isn’t distressed, statistically, she thinks. Not at all, it’s not going downhill. Texas is flat.

What are the signs? You know what the signs are. Well, she had always corrected his malapropisms and his grammar, even during their engagement period, and Doubya had always gleefully accepted her advice — not that it made any difference, but still. Yes, she has monitored his email correspondence lately, and Doubya had, in fact, ordered a luxury edition of Darwin’s Origin of Species, and, yes, she was concerned. Not that she has any problem with evolution herself, but why Darwin now? Well, it’s only a luxury edition, perhaps it’s meant as a practical joke for the coffee table. Doubya’s grin, it could be so sweet. Darwin as a pocket book would be more serious. But he had also ordered a set of magnetic poetry for the fridge. He had always been proud of not being a poet. Leaving messages on the fridge? What kind of messages?

Poolside visit

Not a walking stick (around 15:30 today)

Update: we sent the link of this post to a few friends with a mistaken allsion to walking sticks. Our friend Jacki (last post) from Arizona reacted vividly, pointing out in various ways, eg. by sending the pictures below, that ours is really, really, a praying mantis, and nothing else.

praying mantis

walking stick

You see how the walking stick looks much more like a walking stick than a praying mantis (could ever look like a walking stick)?

We apologize for any offense caused, or taken.

Libber-Ace

The book “Behind the candelabra: My life with Liberace” appeared in 1988 and had a good title and a co-author. The movie-idea came to Steven Häagen-Dasz in 2000 during the production of his best movie, Traffic, which also uses Michael Douglas. It took Soderbergh (right, that’s the name), it took him so long because he couldn’t quite figure out “an angle that would differentiate it from a traditional biopic” (according to his own testimony (Wikipedia)). Well, he didn't, or hasn't. This is a traditional biopic with a very traditional story of a very young man being picked up by a very famous one. There is love of some kind (also sex, at one point 4 times per day); there are euphoria, disappointments, drugs, rock-n-roll --- no, actually not, there’s no rock-n-roll because the very famous man is an entertainment pianist from the lounge-lizard school of entertainment pianists --- but there is strife and separation, followed by animosity and reconciliation right before Lee (that’s apparently Liberace’s first name, I always wondered) is carried off by AIDS. AIDS's a kikker for this story, the pianist's HIV-induced death rounds out the plot nicely.

Liberace and Scott Thorson (Damon's character)

This town...

..is the title of a new book by Mark Leibovitch, chief correspondent of the NYT Magazine, about Washington DC. 

Welcome to the land of no eye contact.

Mark Leibovich

More specifically, the book is about Washington's political culture,

a pageant of body language,


and

the out-and-out panting

of people who

potificate for pay,

who

"can stagger through receptions with the best of them" (B. Obama),

who

"can can get in and out of a fund-raiser in 5 minutes" (H Reid),

who

never die or get older, only jowlier, richer, and more heavily made-up.

Haven't posted anything for a while

The view on August 8, around 10:30 AM