NYC (1) --- The Martian

Chang took this picture from the v. Wyck express way

So we fly to NY, NY for the Lammies, nominated as we are in the category Gay Erotic Fiction, and watch The Martian with Matt Damon directed by Ridley Scott (international flights are practically the only effective opportunity for us to watch movies). We’ve read a few rave reviews when the film came out last year, among others by Manohla Dargis, the NYT chief celluloid critic.

Well…(you don’t have to read further).

Damon is stuck on Mars but will be rescued, yet not before an avalanche of complications has caused much nail biting hither and thither.

What we liked best were the potatoes---Damon cultivates potatoes in martian soil---although---although at one point his tarp-sheated indoor potato farm blows up of course.

Fragment, fragment --- or: the mystery of success

Okay, let's turn this around, and start with a fragment from the GREEN EYES, Chapter 44, "A surgical strike into semantic space," (Jack Horn talking to John):

He directs me to a large paper backdrop rolling off the wall, flips two Klieg lights, and points his Nikon D3x in my direction. He isn't even snapping, the thing is on speed repeat.
"In the past,” he says, “you would think first and then shoot. Now it's the other way round." Then he adds, as if bowing to conventions: "Give it to me, baby, give it to me." He's already done. “You no longer have to think at all, in fact, you dump the whole set on Tumblr and see which ones bounce back through re-blogging, those are the good pics. But the feedback takes weeks, we don’t have the time.”

We're sitting at a long desk that had to be cleared of the worst debris (think of Juras-sic Park, one of the best scenes, when Attenborough wipes the messy desk of the greedy programmer), and downloads the pictures from his Nikon. He flips through the pictures at high speed—he has me spinning like a dancer in a silent movie. "Hold on," he inter-rupts himself, "I forgot."

The screen changes to Google’s search window. "As outlined earlier, one should let somebody else do the thinking," he says. "Who’s going to make our life easier? The Windsors. That's it, the British dynasty." He googles for "Windsor porn pictures," and arrives on a page with royal obscenity involving all members of the dynasty, in particu-lar an elderly woman with petrified white hair. "How many have jerked off on Eliza-beth, you think," he asks as if expecting an answer. "I wonder whether the Queen realizes.”

And now what? Yes, the picture, or issue, or handle. Well, we posted a picture on Pinterest, and it's garnering 10 times the interest of other pictures we posted there ("likes," "repostings," "new followers," and the like). It's a good picture, sure, but still. You say:

Chang, sitting next to me on the king-sized bed of the Crown Plaza Hotel of Milan's Malpenza airport, turns his head, peeks at my screen, flabbergasted, and comments: "My God, this is really a sexy guy,"..."My God, this guy is really hot." 

Okay, so, case closed.

No-no, hold on. Scroll down.

Here's the next picture we posted on Pinterest, a picture taken by Chang tonight on our way back from a restaurant to the hotel. What do you think?

 

(Vote for it, vote for it!)

"If people blame Obama for anything 200 years down the road..."

Fragment, fragment, (very short) from a future part of the GREEN EYES, Alex and John talking:

John: "I voted for Obama, yes."
Alex: "If people blame Obama for anything, 200 years down the road, it'll be Donald Trump."



(We're off to NY, NY, for the red carpet event of Lambda Literary---cross fingers.)

"Let's find a hotel," I should have said...

We're still in Switzerland, up on the alm, at 1,600 meters, where the air is thin---as are the pretexts needed for posting yet another post. 

 Pretext no. 1...

 ...which is bound to inspire Pretext no. 2...a fragment from our recently finished short story Le Trayas Station. The narrator, a certain Michael, has unexpectedly happened upon a pretty youth, who's stepped off at the wrong train station and is now in need of a ride to the venue of an exam he's obliged to take. So Michael takes the pretty youth, Muhammed, to the venue, knowing already that they will arrive hopelessly late:


We arrived at the school short of 11 o’clock. I stopped at the main gate in the NO-NO-traffic-zone. He shouldered his satchel and dropped off and reappeared 10 minutes later, a wistful smile on his lips.

“Your career is in shambles now,” I said---which---I shouldn’t have said. I should have said: ‘Let’s find a hotel,’ or ‘let’s find a hotel now, you must be tired’---it would have worked, there and then. Anyhow, he climbed back onto the SUV and explained that he had to wait another year, although it wasn’t the end of the world. We entered a conversation about his future and his family until I had to ask where he lived. He studied marketing, what else. The father worked in Paris, hopefully, and his brother ran the show.

He lived in Nice, in the Ariane quarter, on the rue Darius Milhaud. “The composer?” I asked. He wouldn’t know. “Ariane?” I asked. It’s the neighborhood next to the power station, he explained, exit Nice-est on the A8: you can see it from the motorway when you are coming from the other side, from Monaco—yes, I remembered now.

I had never been inside an immigrant housing project---eight-story structures this one, mostly, although they looked better from the inside than coming-from-Monaco. And the narrow kitchen balconies where the aboriginals keep goats and hang their laundry, they weren’t so narrow and there were no goats. Wouldn’t be easy to find a parking space, Muhammed said. I parsed this briefly, inhaled, and replied: “I, just, drop you off.”

You're still there? Then you may like Michael's Lambda-Literary nominated book:

("click")

We're still in Switzerland

We've arrived in Switzerland

As every year, we rent our house to holidaymakers during the season and stay in the chalet of a friend in Bürchen, Valais, Switzerland, up on the alp at 1,600 meters. This is an evening view from our place, taken by Chang two days ago.

Anything GREEN EYES have to say about Bürchen, or Switzerland, or sunsets? Strangely enough, the answer is "no." But we have a short story set in the chalet, titled Rilke's Ghost, and as yet unpublished. So here's a fragment (Context: we already had a close encounter with the ghost of Rainer Maria Rilke once, in Duino, on the Adriatic coast, where the famous poet wrote his Duineser Elegien. And coincidence has it that his mortal remains are interred nearby; enjoy:) 


Years later. We’re now summering in Bürchen, Valais, Switzerland, in the chalet of a friend, our own house is rented to holiday makers. The village of Bürchen is wonderful, 1,600 meters up on the Alp, and so much cooler than the muggy summer-Riviera (the road up to Bürchen was finished in 1934---the preceding thousand years the villagers were left to their own devices). There is only one problem: Rainer Maria is buried nearby, yes, Rilke, in Raron, a small, historic town right beneath Bürchen down in the valley, three klicks as the crow flies. We’ve given Raron a wide berth so far, but Chang is playing the social networks and has to feed the hungry Facebook beast. His Korean followers can’t get enough of snow-topped mountains and Geranium-studded chalets, and the 24 hour cycle dictates daily posting. We’ve ravaged the entire region already---natives of many cultures believe that you steal their image when you take their picture---along those lines we’ve grabbed photons until nothing seems to be left of the Valais—from the Matterhorn via the James-Bond-historic-marker up on the Furka pass to the longest glaciers and highest vineyards of Europe---save Raron. 

Find a caption

(Hat tip: Andreas Hardinger)

Do we have anything to say about this? Yes, the picture shows, irrefutably, that our GREEN EYES are about everything, including the Sydney Opera House, and here's the proof...(from the final chapter, the happy ending is approaching, John and Alex in conversation, Alex laboring under a serious amnesia)...

We’re both watching the water tower. We could be brothers.
“The water tower,” I say to Alex. 
“Yes, I know,” he replies.
“You remember?”
“What?”
“Us, talking about the water tower?”
“No.”
“How do you know, then?”
“I know about the water tower, and Georgia Beach in general, just get confused about directions. Directions appear to be borderline. Amnesia-wise. Forgot everything about my personal life, remember a lot about everything else.”
“You like the water tower?”
“You like it?”
“I’m like the only person in the world who doesn’t like the Sydney opera house.”
“The Sydney opera house, right. Don’t remember whether I liked it or not. Let me think. Let me get it on my mind’s eye. Looks like a clam, right, several clams, clams playing domino, right?”
“Sort of.”
“You have a picture somewhere?”

He looks around. His eyes fall on the iPad on the kitchen table, the i-thing he gave to me the night before his suicide. “Let’s have a look,” he says, grabs it, hits the touch screen a few times. The internet isn’t willing though, Safari returns an error message.
“You’ve got no Wi-Fi?” he asks. 
“Yes,” I say, “but never had a chance to use your pad, it doesn’t know the WEP code for the Wi-Fi connection.”
“This is my pad?”
“Yes, you gave it to me, the day before your, uuhh, accident.”
“Right,” he says and hands it to me.

I dreamt of the GREEN EYES and woke up happy

Here's a new glowing review of our GREEN EYES which appeared today on the pages of Queer Voices---enjoy:

By Andreas Fragoso Jr.

I’ve have never actually told someone to leave me alone until I started reading Green Eyes: an erotic novel (sort of) by Michael Ampersant. I held it in my hands and read the first chapter when someone came up to me to ask me a question. I literally held my hand to his face and told him to stop talking, and that I was reading. He didn’t talk to me for a few days. He got over it and read the book. I tried to interrupt him and he stopped me. Karma.

Michal’s protagonist, John Lee, is narrating the story. He’s so funny that I really want to meet him. His descriptions, side notes, and remarks are so powerful. I’ve never met someone so funny, entertaining, and naive in some ways. Okay. I admit I’m naiver that he is. My point is that I love the character. If I met him I would ask, “How?”

The style of the book was new for me. I don’t particularly write in this style. Now that I have I admit I wouldn’t even know how to start. Michael’s style is unique, part description, part I’m telling you what happened, and he also shows you what’s going on. And there is a lot of things going on. He has this unique talent of introducing something traumatic in a very nonchalant way that when the shocker comes out I jump.

What I like the most of the book is that it took me to worlds where I’ve never been. I have never known men could do the things they did in this book. When I’m reading I feel what John is doing and seeing. A few times I cinched because I thought I was there. I can honestly say, I have yet to read another book like this. I’m an honored man for having read Michael’s book.

I dreamt of the Green Eyes and woke up happy. The reality is that I almost called 911 and to see what happens.

The back cover of the book holds no lies. There are a lot of things going on. I don’t know how John keeps it together. I for sure would seek professional help and go through therapy for years. But, John. He takes in like a man, he handles everything very well. I honest believed that the tow truck was dropping from the heavens.

Get your copy today. And stop reading whatever you’re doing because you’re not going to regret it.

"Click"

Cannes Film Festival opens

We went to Cannes yesterday, because we're writing a story about terrorism, and the Festival's opening would be the ideal multiplier of terrorism's effect: one Brad Pitt is worth thousands, if not millions of other innocent victims, you'll agree. We're not sure we'll have an actual blast in the story, so here's one from the Pulitzer-winning last novel of Donna Tartt, The Goldfinch:

[hang on; under development]

The opening has always been on a Tuesday, because the festival has always lasted for 12 days, the festival competition always featured 22 films, two per day, with the last day, a Sunday, dedicated to the awards ceremony.

So it's Tuesday, May 10, and we leave the house at 15:30  to arrive at the red carpet event at 17:00. 

German for beginners

Reality beats fiction...

...as usual.

And here's just one line from Politico:

Cruz woke up on the morning of the Indiana primary to rain and the news that Trump was touting a National Enquirer story that claimed, without evidence, that his father was involved in John F. Kennedy’s assassination.

This morning

Chang took this picture yesterday; we learned from our neighbor Dirk, who's a retired airline pilot, how this works: pilots call this phenomenon a "drop,"---a drop, if you will, of cold air that descends from the mountains and then drops through warmer air onto the warmer sea where it can trigger a middling thunderstorm, which this one did.

May 1

Alessio Slonimsky

At last (Glenn)

This is beautifully scripted, especially the final scene:

And our fragment? From the last chapter of the GREEN EYES, of course, we're a few hundred words short of the ending. Hint: John, the narrator, is in love with Alex.


We’re still walking down the beach. The alpha-dog picks up a pebble, sends it off with a flip of his hand across the water, where it obliges, naturally, re-bouncing, travel-ing along the ocean surface till it reaches the end of the world.

“So, John, let’s reset. You wouldn’t want me to love you because Alice told me to do so?”
“No.”
“And you wouldn’t want me to love you because it would hurt you too much if I don’t?”
“Huh?”
“Let’s simplify. Would you love somebody because he loves you?”
“Possibly not.”
“Would you love somebody because he brought you back from the dead?”
“Amy-Lou brought you back from the dead.”
“She said you did.”
“She did. She performed the CPR.”
“She said it was your kiss. You kissed me back to life.”
“I didn’t kiss you back to life. I planted a kiss on your forehead to say goodbye. You were dead then.”
“So, I’m right then.”
“How?”
“You didn’t kiss me back to life, Amy-Lou didn’t bring me back from the dead. Q-E-D. I’m in heaven. Everything is heaven. Even you are heaven, not cheating on me de-spite the challenging circumstances of an out-call.”
“And so are Amy-Lou, and Alice. According to your logic.” 
“Who didn’t cheat on me either.” 
“You know what I mean. Why should you love me?”
“Because, John, you are unique among us angels. You are the only angel who needs my love. Who wants it. Why shouldn’t I love you back? We’re in heaven together. Wishes are fulfilled in here.” 
“I didn’t know.”
“Now you do,” he says and rolls his head again. 


He halts his steps. No, he stops. It’s in between. We’ve arrived at the gay beach.  He turns sideways, we're facing each other. He touches my cheeks, plays with my tousled hair. He squeezes my nose. He touches my absent love handles, just to make sure (I guess). He slips a finger down my tummy, almost reaching an erogenous zone. He looks at me, from top to bottom. His eyes drift out to the sea, return. He stares at me with his new, unbalanced eyes. He embraces my cheeks again, squeezes his lips onto my lips for a kiss. "I love you," he says. He embraces me fully now, his arms around my body, his tongue traveling deep into gay territory, he kisses, touches, embraces my mouth, my selfishness, my cynicism, my innocence, my stupidity, my soul...

Guess who...

Lucifer in the flesh --- that's how John Boehner, former Speaker of the American House of Representatives, a staunch Republican, called him during an event at Stanford University yesterday.

And Boehner continued: I have Democrat friends and Republican friends. I get along with almost everyone, but I have never worked with a more miserable son of a bitch in my life.

Twostep

Applause, applause: Piotr Urbaniak and the GREEN EYES

The first chapter of the Green Eyes, the chapter Michael didn't dare to include in his book because he feared it would "discomfort or even harm" some readers, will now appear in the German yearbook Mein Schwules Auge---the Germans supposedly being a hardier race when it comes to graphic sex. 

Anyhow: Piotr Urbaniak, the eponymous Polish-German artist, has just released eight illustrations to this chapter, and here is one of them: 

Beautiful, isn't it? Stay tuned!

Fragment, fragment? Okay:

A shadow enters my periphery of vision. Anybody who cares? Yes, a lank, blond, crew-cut guy. Perhaps he’s heard my screams and got interested. He’s shocked. No, he isn’t, he’s just curious. A tumescence builds in his trunks and develops its own life, the penis shaft seeking the path of lowest resistance. It’s pushing upward and outward like a trapped rodent until a solid erection has created an obscene-looking bulge. Crew-cut appears somewhat out-plussed by his private parts, he’s waiting until the erection is complete and then sheds his trunks. He has experience. His dick means serious business...   

What America has come to

This is real folks, this is not a bad dream

Find a caption

Well, us regulars would expect this to be a cloud of debris pushed out by an exploding supernova. But, no-no, this bubble was/is generated by the solar wind of a still-regular star at its center (only ten times the size of our own sun), and the whole thing is known as NGC 7635, what else. It's (only) 8,000 light years away:

French for beginners

(Hat tip: les diagonales du temps)

And...yet another GREEN EYES review:

Grab it, and plan to read it cover to cover immediately!, April 1, 2016

By Winthrop Smith

Verified Purchase(What's this?)

This review is from: Green Eyes: an erotic novel (sort-of) (Kindle Edition)

I won't retell the plot, which earlier readers have already done so well, or introduce the characters. You know them: they are the gay men, and gay women you either have as friends, or wish you did. Fully articulated, never cardboard, caught up in a plot which the reader can't wait to follow to its conclusion. The hook of the writing immediately pulls the reader into the story, but the author brilliantly throws cultural references, quotations, Manhunt, sex, (hot, twenty-something, go for it, from the back, front, side, doggy style, grunting, panting...you get the idea) into the mix, not from a marketing suggestion, but, as with the entire book, because it is how life is lived. The reader smiles, laughs, leaks without being able to pause, unless the characters are taking a nap, or eating a meal themselves. If you loved Tales Of the City, you will love 'Green Eyes.'

"click"

A new GREEN EYES review

A new review of the Green Eyes is out, on GAY GUY READING, and it is FIVE STARS, yes, but that's not the appropriate way to label it. Here are two paragraphs:

"Wow! That was first reaction to reading this book, my second reaction was plain and simple holy shit! It is hard to find words to describe this book and make it justice because THIS BOOK IS HONESTLY LIKE NOTHING I'VE EVER READ BEFORE."

And:

"Green Eyes isn’t the light Sunday read it is the type of book you can read over and over again in time and discover new things each time. It is dark humor mixed with seriousness. IT HAS A COMPLEXITY TO IT THAT I DON'T THINK I EVER EXPERIENCED FROM AN AUTHOR OF TODAY!"

And here are a few more paragraphs:

"The language is very different, because you are right there inside John Lee’s mind every step of the way, and even though you are there quite a lot learning about John and his speculations about people, what is going on and why it is written in a way that it appears like an inner monologue and conversation. Which is quite impressive.

"In the beginning of the book you get the impression that the book is about a gay man slightly bit of a loner at the same time as he might be a tad depressed, odd ball who feels awkward around people and simply don’t get them. The longer and more you read and the more people John meet, and by the end there are quite a few people involved in this book, it more and more becomes a crime story with thriller feel. John is awkward, and I love him awkward.

"This book isn’t a book for the one who wants an easy read, this book took me quite some time to read and I had to read it in portions and read other things in between so I could ponder and think. This is a very different type of book, a book that has a lot of depth to it, touches about many different subjects---such as right and wrong in different aspect of life, what is love, depression, rape, abuse of power, sex, self-discovery and so on and so forth."


This is us, folks, us, the GREEN EYES! We are so happy!

"click"

A brief note on self-publishing

"I'm not a tourist!"

The self-publishing trend is usually linked to the internet. Along various causal chains, the internet is supposed to facilitate self-publishing, while simultaneously complicating the life of traditional publishing venues.

Yes, sure.

But when you walk through the ultimate tourist trap of Mougin, that historic town north of Cannes, you discover that the self-trend is more pervasive. At least, it includes visual art as well, at least in Mougin it does, even though the internet cannot be the culprit.

Rue du Docteur Buissard, Mougin

A few years ago, Mougin, like every tourist trap---and in particular the ones in Southern France---was packed with galleries of tourist-trap art: garish colors, palette-knife work (faster), sunsets, harlequins, clowns, harlequins, sailing boats, aggressively abstract (faster), Picasso imitations, and so on. That hasn't changed, the galleries are still there, but, in the meantime, in the space of a few years, whole colonies of live artists have entered the mix, exhibiting their own work in one-man/woman shops, outnumbering the galleries 10 to 1. Ten times as many garish colors, sunsets, clowns, aggressively-abstract, Picasso-style, the vieux village of Mougin has turned into an artist colony, literally.

Food for thought. Think this through: the internet cannot have anything to do with this...

Come to think of it

Chang drags us to Mougin, north of Cannes, where Picasso lived (and developed a major depression), and at the entrance to the main downtown (more correctly: uphill) section of the vieux village they've installed this statue:

"I am the Trojan Horse of contemporary art,"---it says.

Fragment, fragment...we were returning from Nice, from the quartier Ariane, where we did a little research for Michael's latest short story, fragment...(and true-true, except that Michael doesn't take the guy to Grasse)...fragment:


The story starts at Le Trayas Station. I live in Le Trayas, on the French Riviera, a settlement of 200 houses perched on the foothills of the Estérel range between Cannes and St. Raphael on the Mediterranean. Each morning I go for a walk, always the same, climbing down the hill, unlocking a pedestrian gate with code C 638 A, turning right on the Rue Charles Hechter (family of the French designer, rumor has it), walking past a gazeebo-style belvedère above the tracks littered with abandoned prophylactics, one more turn, and the view unfolds onto the western Cote d’Or, the train station smack in the middle and a white villa further down, pied-dans-l’eau, once belonging to Greta Garbo, rumor has it (everything is rumor here and they are always false). If God---who doesn’t exist---we have proof now---if God would exist---and if he were to create a Train Station with a View, it would be this one.

Although it has its own web site, the station doesn’t do much. Six local trains stop by per day, each delivering one passenger. The main structure is abandoned, including the ticket booth. An auxiliary building is also abandoned, and the outdoor restroom is occupied by an Arab, Muhammed.

Muhammed and I have a difficult relationship. We were on greeting terms initially, but I snubbed his various attempts to relate---I’m not peddling excuses but I could never get over the fact that somebody is living in a restroom---so he stopped addressing me and now averts his eyes. The situation is so awkward, I’m no longer making it all the way down to the station but turn around before I reach the level crossing at the tracks, where I would be in full view of this restroom and its occupant. 

Le Trayas Station

This particular morning, a train had just arrived, and the one passenger coming up the road was a young man, perhaps eighteen years old. He was apparently lost. Batting his eye lashes he asked whether he could ask a question, and then asked how he could get to Grasse---that’s an old town to the north of Cannes, seat of the vice-prefecture of the Alpes-Maritimes and self-appointed World Capital of Fragrances. He would have to take an exam there, at 10 o’clock. Where he could find a bus station, perhaps. 

I shook my head. You have fifty minutes left, I said with a look at my watch. Getting to the bus station would take fifteen minutes, the bus is once per hour, you’d have to change buses, and so on. There’s no train for the next five hours. “How did you end up here?” I asked. He replied with a sheepish grin. 

I had a better look at him. He was pretty---regular features, good profile, full lips, deep, brown eyes, thick, tousled hair, and a sleepy seductiveness that was apparently irresistible.  

“Okay,” I said, “I’ll take you to Grasse.”

“Would you do that for me?” he replied. 

It's downhill from here, since this guy, it turns our, has a terrorist brother...

Unthinkable without Donald Trump

Donald Trump vs. Tristan Verran

We may have an idea where Donald Trump started. But we have no idea yet where it ends, where he and his ramifications will pan out and ebb away. Here, folks, from a post of one of our regular contributors, he's confronted with this woman, this would be unthinkable without THE DONALD...we quote (Tristan Verran speaking):

I think the word 'pretentious' has come to mean, 'I don't understand this, so I am going to try and mock it'. Take last night for example, I was having dinner with a gay pal and his best girlfriend who is from England. She demonstrated all of the usual camp affectations of a typically dull 'ex-pat wife'. I observed her as she posed in her rather unimaginative 'LBD', styled on the ENDLESS derivatives of the work of Coco Chanel, and I couldn't make out why she was being so offensive to me. She belittled my work ("teaching is SoooOOOOOOOOoo pointless these days", "why would ANYONE bother writing, it's so pretentious", "who cares about literature, it's so pretentious!"), then stated that, "art is just a load of pretentious bullshit!" I asked her what she meant by the term 'pretentious' and she replied, "it means people pretending to be something they're not." I thought about this, because I don't like to be bitchy, and I pointed out that even though she wore designer clothes; she could not hide the fact she's just another clueless idiot who spent her formative years getting felt up by the boys from the local estate before bagging a wallet in the city...

Let's keep up the good work!

GREEN EYES is Lambda Literary Award Finalist

It's like the Oscars, only less so. You get nominated in a specific category (ours was Gay Erotic Fiction), and there's a red-carpet award ceremony, held in New York City this year, on June 6, when the winners of each category are announced and fêted.

"click"

Here's a bit more about this year's awards:

The 28th Annual Lambda Literary Awards - or the "Lammys," as they are affectionately known - kick off another record-breaking year with today's announcement of the finalists. They were chosen from a record 933 submissions (up from 818 last year) from 321 publishers. Submissions came from major mainstream publishers and from independent presses, from both long-established and new LGBT publishers, as well as from emerging publish-on-demand technologies. Pioneer and Trustee Award honorees, the master of ceremonies, and presenters will be announced in April. The winners will be announced at a gala ceremony on Monday evening, June 6, 2016 in New York City.

"The Lambda Literary Awards were founded in 1989 to elevate the profile of LGBT literature," said Lambda Literary Board President, KG MacGregor. "In so doing, we also elevate the lives of those who find themselves authentically portrayed in our stories. It is with great pride that we come together each year to celebrate the excellent works of inspiring authors who have walked in our shoes."

The venue: Skirball Center, New York University

Now in their twenty-eighth year, the Lambda Literary Awards celebrate achievement in lesbian, gay, bisexual, and transgender (LGBT) writing for books published in 2015. The awards ceremony on June 6, 2016, will be held at the NYU Skirball Center for the Performing Arts. The red carpet and specially ticketed VIP Cocktail Reception will be held before the ceremony. The after-party, open to all with a general admission ticket, will follow at Le Poisson Rouge. For more information and to buy tickets, please visit www.lambdaliterary.org/awards.

The finalist

The view this morning

No, folk, you got it wrong, God doesn't exist

"The Producers" do Donald Trump

Connubial bliss

Chang and our new car.

The loss of Isolde, our ML SUV (she passed away in a typical death-choked scramble) is a real bummer, we got quite some literary mileage out of her.

She was 14 years old.

Here's a pertaining fragment from the GREEN EYES (context is a bit complicated, bear with us): John (the cum-squirrel) and Alex showed up belatedly (and smelling of/stained with cum) for the appointment with assistant DA Trevor Howard. Dr. Alice Sandeman, otherwise Alex's confidante, who arranged the meeting, got extremely upset, and the sit-down didn't go well. Howard has now left, and the Dr.s phone rings---a gallery in NY NY needs more of deceased Eleanor's art work---Eleanor, former lover of Sandeman, and inlaw of the Richard Wagner family (the composer). OK, here's more or less the entire chapter, Isolde will show up at some point, enjoy:



With an inquisitive look at Maurice, Alice gets up as well. She’s about to explode, explode at us, who have blown it, “completely.” We’re little boys who can’t hold their cum when the situation requires grown-up behavior. We’ve besmirched the hospital, and the medical profession, and ourselves, literally. And since she’s a medical doctor, she is going into details, and wants to know how many spermatozoa we’ve killed needlessly with our---she’ll have to look this up in a thesaurus, it’s not that she’s shy, she’s just too upset to find the right word---with our irresponsible behavior. “You thought you were sexy, right,” she says, “you were just feckless, harebrained, immature, undependable, untrustworthy, inexcusably, both of you,” and she means Alex in particular since she has given up on the cum-squirrel anyhow.

The Donald --- The first 100 days

Valentine's day

Yesterday, on the beach in Nice

Green Eyes review

Another great review of the GREEN EYES. This one's by Kate Hardy, the renowned author:

Kate Hardy

Michael's writing is elegant and very funny with moments of great pathos. I felt I got to know the main character well and appreciated him as a (faulted, and aren't we all) human. The style of the book is definitely unusual, and certainly would not appeal to all readers. The plot rambles wildly and I found myself reading a chapter or two and enjoying the language and humour - almost as if I was reading a collection of poems or short stories. I wasn't gripped in that I didn't find excuses to go and read when I should have been doing other things, as I might have done with some books where the plot grabs you by the neck and hauls you along, and there is nothing wrong with that. I think perhaps these days we are all too used to pages that deliver a rampaging plot; this is to be savoured and remembered. A favourite line (and there are many great ones): An all-pervasive touch embalms me and goes on vacation with me and for long walks on the beach as I am trying to stay awake.

Why God doesn't exist

The rising tide lifts all boats

Is it true that the United Nations will move to outlaw comb-overs worldwide?

(Yes, we possibly should say more about the movie---for the time being then---this picture was taken in Aix-en-Provence, by the way)

Shoot-the-messenger and other things North-Korean (reposted)

People are inquiring about this post, stirred by North Korea's supposedly thermo-nuclear test yesterday. The post was written in March 2013 while Michael was staying in South Korea. Here it is:


How about the situation? In Korea? Now? Aren't your scared? Don't you think they are going to throw their nukes? They know this would be the end of it, wouldn't they, a full-fledged war would trigger a violent American reaction that would certainly bring down a regime unable to feed its own people properly? They aren't crazy, or are they? Kim Jong Un, the new "leader," has studied in Switzerland, he has seen the world, he knows, right? They know, don't they, they know! At least he does!

Note the map of the US on the wall

Relax. Lean back. (Just back from the Korean dentist). Lean back.

My father was so lazy, he did not actually swim when dipping into the North Sea during our summer holidays. Instead, he did a "dead man," filling his lungs with extra air and staying afloat motionless in the water like a buoy. Along those lines, let's do an dead man and tell a story from 10 years ago when I last heard from Michel Kortczek. Michel had specialized in China, and then North Korea, and had published a beautiful essay on North Korea and its ideology on the internet. The page has disappeared in the meantime, but what I recall of his essay spoke of a regime quite unlike any other on earth, a regime completely in the thrall of  magic, superstition, and delusion.

Fame, thy (thou?) breath is so sweet

There we go...yes, this is little Michael, the serious looking guy, dead center

Feed the hungry Facebook beast

Christmas dinner. Left to right: Bill, Leo, Jenni, Stefan, Stefan's girl friend, Michael, Uwe's girl friend, Uwe (Chang is taking the picture)

And your habitual "fragment," Michael, how about a "fragment" ? Right, Michael is working on a new, longer version of the Rilke-ghost story. Michael and Chang have met the ghost already in Duino---apparently provoking his appearance by means of a Google translation of one of his poems---and now they are summering in Bürchen, and Rilke is buried nearby. Fragment:

Years later. We’re now summering in Bürchen, Valais, Switzerland, in the chalet of a friend, our own house is rented to holiday makers, as usual. Bürchen is great, 1,600 meters up on the Alp, and so much cooler than the muggy summer-Riviera. There is only one minor problem: Rainer Maria is buried nearby, yes, Rilke, in Raron, a small, historical town right beneath Bürchen down in the valley, barely three klicks as the crow flies. We’ve avoided Raron so far, but Chang is playing the social networks and has to feed the hungry Facebook beast. His Korean followers can’t get enough pictures of snow-topped mountains and timber-studded Swiss chalets, and the 24 hour news-cycle dictates daily posting. We’ve ravaged the entire countryside already---natives of many cultures believe that you steal their picture when you take their photo---along those lines we’ve grabbed photons until nothing seems to be left of the Valais save Raron. 

“Do you believe in ghosts?” Chang asks. Of course we don’t. And it’s a sunny, wonderful day, and Rilke is interred in a vault on the southern side of the Burgkirche, which itself is built on a rock hundred meters above the floor of the valley. The views would be fantastic, and a light breeze would play with the pages of the tourist guide that tells about the local Rilke-wine and the XII-century town hall next to the church. A Rilke Pfad leads up there. Half-way there’s a bench. “Remember the bench?” Michael asks. We sit down. And now Michael has a really bad idea. He googles for “Rilke translations,” and the first entry connects to a learned, well-written article by a certain Majorie Perloff. 

“Wer, wenn ich schriee, hört mich denn aus der Engel Ordnungen”…wasn’t that the first line? “Here,” I say to Chang, “there you have it, various ways to do this, ‘Who, if I cried, would hear me among the angelic orders,’ or ‘Who, if I cried out, would heed me amid the host of Angels’...”. Chang, predictably, is not really interested, but you see it coming. “Oohh,” the wailing begins, “ohhoohoo.” Talking about hubris.

We've interrupted our broadcast...

...to pen a longer version of Rilke's Ghost, and this is the first thing we found:

(Note that Postmodernism is also banned)