More or less --- read all about it

You've probably seen this, on Amazon, the opening lines of a book description, next to the image of the book cover with a Read more link underneath that yields a few more lines when clicked. So you click and read the rest of the description, perhaps 15 lines in total. And when you've reached the end, the end of the text, there's another link, which says...

"Read less"

(Just trying)

The word is mightier than the sword

"Just sayin'!"

(This is not Michael, OK. He was roaming sites for gay cruises and came across this picture. By the way, he's planning a gay cruise for Part III of the "Green Eyes," and had expected a wealth of book on the subject, but no, according to his superficial research, there's not a single novel dedicated to the subject (there's a movie, though))

The mice of the world are meeting to invent a worser mouse trap

Emma Thompson recommended it as compulsory literature for all politicians.

You is deliberate done hurt the child's feelins
It's set in the Okefenokee swamp, only a few miles from Waycross (where the offices of Doyle-Roy Hunnsbruck are located).

I is more the human bean type


And only a few miles from Monroeville, where Ben's parents live.

Pardon my beg to differmints, sir
We knew nothing about it, of course, it never traveled to Europe.

You is a mite loose in the flue
Pogo Possum, the comic strip by Walt Kelly

This is earthquake weather
These are a few lines gleaned from the strip

Don't seem my pot luck gone be so good
We'd love to use the dialect as well, if we only could learn it...

If I cooks you and you cooks me, who gone be around and enjoy us?
...perhaps after living a few month in Georgia, somewhere in a rural community...

Christmas is coming again
...where people are eager to share their vernacular with strangers?

Hydrogen, nothin' but the best hydrogen an' high grade oxygen --- a steal

Forget it.

Here are a few more lines:


We gone put you countin' snow Early morning volcanoes Oh, posterity has been dealt a cruel blow Oh, I knows they up to some sort of privacy It's gotta be did The mice of the world are meeting to invent a worser mouse trap

Walt Kelly

Scribble, scribble, scribble, Mr& (1) --- Dracula

We've started the research on part two of the Green Eyes and are wondering how to get our mind around various issues, such as (1) vampires, (2) the end-of-the-word, (3) X-factors (America-got-talent or whatever), (4) Romeo & Juliette, (5) murder, in particular murder by poisoning, (6) amnesia and/or the loss of identity, (7) pageants, (8) Ebonics, (9) verse meters, and (10) orgasms, in particular female ones.

Right.

The idea is that John and Alex will stay together, so we cannot repeat the love-story-construction of Part I. Let's hope we'll get some mileage out of Alex's mysterious post-suicidal personality (he's suffering from serious amnesia, has no recollection of his personal past), and, in particular, out of his sexual ambiguity vis à vis John --- Alex had been informed of his homosexual orientation, more or less accepted the information, experimented a bit with straight sex, and is now living with an anxious John, a narrator who doesn't quite understand whether Alex is just trying to be nice to him, or trying to be a bit too nice. Ideally, Alex would have shed his depression but maintained most other parts of his personality, but that's perhaps too much to ask for, as John understands himself. From the point of view of the further story, Alex will have to walk a fine line between ignorance and insouciance.

So you think you’re trapped in a poorly-written fan fiction: A modern teen’s guide (reblogged)

Lokfire has this cool post on her website Hollywood Hates Me we've been allowed to reblog:


Lately, you've noticed your life is filled with grammatical errors, punctuation mistakes, poor spelling and way more deviant fetishes than you're used to. Does that mean you're trapped in a poorly-written fan fiction? Almost certainly! But to find out for sure, please use this handy guide as a reference.

1. Do you often get the feeling you're a Mary-Sue type stand-in for someone else? Like, maybe you're just an average girl with the character trait of "clumsiness" so people won't think you're perfect, but all the hot boys in town love you.

 "You killed my father, prepare to die?"

2.When people around you talk, do they often resort to overblown romantic cliches? Perhaps they say things like "You are my life now" or "I can't live in a world where you don't exist."

Trick question! This just means you're hanging out with a sparkly vampire.

I Write Like ... David Foster Wallace (Infinite Jest 1)

Cool, folks, cool. We blogged about the I Write Like web page two years ago when it compared a simple blogpost of ours to William Shakespeare --- well this sentence already tells you something must be wrong with said app, but we didn't push the issue since the corresponding link had soured in the meantime.

Today, rummaging through Infinite-Jest-blogs in search of pictures, we rediscovered the link under a new web address, and tested it on more pertinent material from the Green Eyes. The app works as expected, there's a window where you paste your text and click a button. An analyzer compares your text to its data base (Bayesian statistics, neural networks, you name it), and returns the name of the author you resemble most (it always comes back with an answer, it never says "Go Away," or "Bah," or uses similar expressions you know so well from your correspondence with the leading publishing houses).

OK, so, we start with the Prologue of the Green Eyes. Not Shakespeare this time, but...

I write like
H. P. Lovecraft

I Write Like by Mémoires, journal software. Analyze your writing!

 ...Horribile dictu, we never read H. P. Lovecraft, can't even properly place her/him. It must be Wahlverwandschaft, then. We taught Artificial Intelligence so we know a thing or two about neural networks. How stable might the application be, we wonder,  what would be the outcome for the next piece of text, Chapter 2 (you know, Chapter 1 has been relegated to an appendix)? And the answer is...

A man is beautiful

It's perhaps a minor issue, so give it perhaps a minor thought. What's wrong with this poem:

A man is beautiful

but

you have to swing

and swing and swing

and swing like

a handkerchief in the

wind

Well, consider this one:

A woman is beautiful

but

you have to swing

and swing and swing

and swing like

a handkerchief in the

wind

That better, right? Well, it's also from Jack Kerouac, the last one. But that's not the only thing. Let's think about this some more.

Freedom Fries --- Chapter 3: "I said Hu" (part 1)

Previously. Pamela Nachtrieb Timbers, the voluminous Dean of Berkeley Law School, had been asked by President Obama to swing by for an interview --- a position at the Supreme Court is vacant --- but Pamela, regretfully, had to tell Obama about a skeleton in her closet. She will now explain to Georg Lukacs, the charsimatic hedge-fund titan (who happens to be an old friend of hers) why.

The maitre d’ is very pleased with her squeaking bag, and very kind to Pamela’s coat. George didn’t bring one, since the New Tearoom is only 6 minutes and 23 seconds from his office, which he had suggested they would walk together, for fresh air and aplomb. People would recognize him in the street, obviously, and wonder who this woman is, but he was used to this. Plus, they really didn’t look like former lovers. She looks more like his shrink, or worse, or vice versa; well, not vice versa, obviously.

Charles — as the maitre d’ is apparently known — spreads his fingers, raises his arms, and touches her breasts, almost. “We’re so pleased to have you with us, M’am,” Charles says. “Don’t worry,” George comments, “he doesn’t know you, he’s just doing his thing.” Charles laughs obligingly, then asks: “You’re famous, M’am?” Pamela can’t resist. “Yes, I’m a famous madam.” Charles laughs more obligingly. “First time you hear that reply?” Pamela asks. Now George laughs. “Her name is Pamela,” George says, “and she’ll be famous all right, starting tonight.” “Famous all right, starting tonight,” Charles comes back, “that rhymes.” All three laugh now, and George claps his hands. “Listen,” he says, “I’m a famous po-it, but nobody know-it.” General hilarity, everybody claps.

Central Park in Manhattan

Unlike other New York restaurants, the New Tearoom has been around for more than six months. This being Manhattan, the large cubic volume alone defines serious luxe, so Philip Stark could relax and contend himself with light wood, white walls, large windows, and serious art. Charles leads them to their table. Most other tables are already occupied by a hodgepodge of new New York society, like Asians with absolutely oversized, heavily rimmed glasses, or Blues Brother’s types (wasn’t that Chicago?). Times have changed, Pamela thinks. Their table, the best of course, is waiting for them in its pristine virginity at the upper level balcony with a view of the Central Park. Two waiters are in attendance to handle their chairs. Pamela and George sit down in style. Thick napkins, thin waiters, Pamela observes.

"If you have enough darkness, will you have enough light?"

(Us, folks, with Sacha, our friend, who provides the model for Jack Horn in the Green Eyes, this afternoon, in Sacha's garden in Les Adrets:) 

_____________

And here are a two corresponding tidbits from the Green Eyes:

(Opening of Chapter 43:)  Every soap has its homme à tout faire, be it James Bond ("Q"), or us ("Jack"). Talking James Bond, if you ever watched the earlier movies (there is a new-new Q now, bear with me), you must have realized that Q’s lab was too small, there was no way anybody could combine a shooting range for war heads with a workshop for poisonous pens with an assembly line for Aston Martins anywhere outside the Pinewood Studios (the newest Q holds court in the British Museum where they have more space).

Talking Jack Horn, if you ever had a look at Jack's barn—he lives in a rumbling farm house outside Georgia Beach with a large garden and a big barn where he “works”—in fact, you don't have to enter the barn, you only have to look at it from miles away—it's like Q's (old) universe, and then some. There are machines, gadgets, toy helicopters, pianos, coloring books of his three lovely daughters, the original camera of Toulouse-Lautrec, teddy bears, the screen wall from Startreck, tennis rackets, entire hardware shops, books even, some of his friends write books. It's like the firm of Clutter, Clutter & Clutter. There it is, climbing the stairs, climbing the walls and climbing into the basement where antique premium cars await urgent repairment: clutter. There’s no way you could spend a minute in this chaos and not come away with the idea that Jack is your man when it comes to hair-brained schemes.

À propos (Doonesbury)

This is us, folks, this is us, Chang saying ""book,"" ("your hobby," "don't get obsessed about it," etc.), and Michael saying "book."  Chang carrying some laundry/garbage bag, Michael not carrying some laundry/garbage bag; der Rest ist Schweigen (we live together for 20 years).

Right, so here are two examples of such paragraphs from the Green Eyes (opening Chapter 21 and 29, respectively; it's usually the first paragraph of a chapter that's difficult):

(Chapter 21, My father and your father were fathers): I'm on my way to the convenience store now, except that I'm not, since the truck doesn't start. Father is in his box, I can forget about him, but my truck is a different box, in particular when it acts up. I never knew it was a truck until Joe, a neighbor, told me so—I thought I had bought an SUV from a stupid lemon dealer, a first generation Mercedes 320 ML from another millennium. But after a few miles it transpired that the fine line between arrogance and hubris had been crossed once again by some autonomous part of my brain in that the lemon dealer turned out to be right. It helps a bit, though, that this Joe—a wealthy oil man from Louisiana who owns the latest version of my model at some six-digit pricepoint and the entire top floor of the condo—that Joe calls his ML a truck, it makes a difference in the delusion compartment whether it's your truck that breaks down, or your premium-brand SUV with leather seats and other luxe options.

(Chapter 29, The sycamore tree): I realized too late what I had done, or not done. In the confusion of my father’s arrival I had left the cell phone behind, and then, despite all the mental notes to self, had forgotten about Alice, because it had been exactly ten PM when Gracelyn suggested, insisted, in fact, that I sleep with Ben in one bed. That must have been it, the mental notes to self, the deities of the English language took offense and punish me dearly now, (or it’s other deities with other concerns that punish me dearly now, but dearly it is).

Sirrr --- "Couldn't agree more"

More Sirrr-wise, this time as a comment on the Daily Beast (scroll down). Let us explain. Andrew Sullivan has a post on Philip Roth, who, in a NY restaurant, got accosted (if that's the word) by young, budding (and handsome) author Julian Trepper, who has just published his first novel "Balls" (balls). Trepper presents Roth with a copy of said Balls, Roth jumps up, and shoots into a tirade against writing:

“I would quit while you’re ahead. Really, it’s an awful field. Just torture. Awful. You write and write, and you have to throw almost all of it away because it’s not any good. I would say just stop now. You don’t want to do this to yourself. That’s my advice to you.”

Julian has reported on this in the Paris review and on the pages of the Daily Beast, where he's speculating about Roth's career as a bored ex-writer (Roth announced recently he had quit writing), and posits that writing is a very practical way out of boredom. 

Julian Trepper, Philip Roth

And her's our Sirrr-letter:

  Sirrr --- couldn't agree more. Boredom is the alternative to writing, or, more precisely, writing is the alternative to boredom. I'm a retired academic living in a retirement community in the south of France, and people here are bored, bored, so bored it could actually kill them. You need an inner life in order to live a good life, and while there might be other things to help you find it or live it, writing, as Julian so coyly explains, provides a practical and pragmatic way to get one, an inner life.

Folks, as an academic, I always knew about "writing," and I can tell you from experience now that there isn't much difference between writing an academic paper and writing gay pornography, especially when it’s the first draft, when the creative juices really need to flow.

OK, so. Let me tell you. The day I decided to write fiction, I found Jesus. Since I'm writing gay pornography, I'm wearing the flaccid smile of the truly reborn, my wrinkles have disappeared, my hair has grown, my penis has grown, Jesus it is. 60% of the time I'm on a high, the high people normally reach only after three glasses of champagne. And the first novel is almost finished. The first draft was finished in under five month (the first draft of my Ph.D. took two years).

The second inauguration --- reblogged (Ross Douthat)

We usually don't do this, but a friend from Baltimore sent this real nice gif-picture, and we need a pretext to post it, and Ross Douthat writes well, so here it is ...

... and here's Douthat's NYT piece reblogged:


My fellow Americans, I am grateful for the honor of this hour, mindful of the consequential times in which we live, and determined to fulfill the oath that I have sworn and you have witnessed.

[long pause]

Hey, no, just kidding: That’s from George W. Bush’s second inaugural. I just wanted to see if you could tell the difference.

I’m going to keep this brief, because we’re all cold and there’s always a chance that the House Republicans might start imitating the Donner Party if we stay out here too long.

[broad wink at Eric Cantor]

You already know how the better angels of our nature are going to make hope and history rhyme, and all the usual fluff. So I’ll skip that part. But before my second term gets under way, I do have a few people from the last four years I want to acknowledge.

First, my dear friends in the press and on the professional left (but I repeat myself). It’s so nice to have you back on the bandwagon, guys! I’ve been surfing the Interwebs, reading the tweets, and it feels like old times. The Obama realignment is all the rage again. The thrill is back on MSNBC. Newsweek’s comparing me to Jesus. All I need is a will.i.am video to really take me back.

Fucking three-ways --- reblogged

The mysterious Mr. E. (the ex-pat in Thailand with this impossible secretary) writes on his blog 50 Shady Gays:

One of my favourite restaurants back in east London was “Les trois Garcons.” I was lucky enough to eat there several times, and I often wonder what it was that made me love it so much. Was it the richness of the food, the opulence of the design (I’ve always had a soft spot for stuffed animals wearing tiaras) or the slightly too cool for school staff? No. it was the fact that you sit in the uber-camp lounge of a big gay 3 way. You’re basically the filling in the physical manifestation of their spit roast.

It isn’t the fantasy of a perpetual daisy chain that enthralls me; I betray my working class roots here, but it’s the peculiarities of the day to day life that I find fascinating. How does it work? Do they nag in stereo? Will their collective mid life crisis result in an ever expanding wardrobe of inappropriately tight disco wear? Perhaps a 3 way would be more stable than a less conventional twosome, who knows? Perhaps I was looking for answers to my own inability to connect in a relationship?

Miguel Angel Reyes

I recently met 3 men in Bangkok who had been in a relationship for over a year.

They were from Moscow and they were painfully trendy and undeniably cute. They wore skimpy white shorts and tight T shirts. For some reason they had all decided to wear matching Mr Spock/elf ears – which contrived to make them appear all the more fabulous. They swaggered through the club, seemingly oblivious to all the attention, in a way that only beautiful men in their twenties can; consumed with the solemnities of their love. I got talking to Alex (the one with the glasses) who spoke English, he told me the history of their relationship and I was – how can I say – both fascinated and horrified. It was just so full on, heightened no doubt by the fact that they were all high. DJ station had closed, and while Alex recounted their passionately mental love story, the cleaning lady waddled past, moping up stale homo-piss from the toilet floor beneath our feet: “Sawadeeeee KaaaaAAAAAAAAAaaaAAAAAAAAAAaaaaaaaaaaaaah!”

Feel it? (Sacha)

I read Michael Ampersant's Green Eyes because I like to dream

Green Eyes --- Chapter 12: Badfuck

Previously, we had a rough day, meeting new friends in familiar places. We're now off to a midnight party at the house of Godehard Wagner (family), dragged along by one of our new friends. Charles is back from the bathroom, where he had a difficult time (he was defecating a lot of blood, as he tells John).



As Maurice is saying this he's grabbing my shoulder. His knees fold, his body folds. He's falling to the ground, now he's just lying there, eyes shut. I touch his shoulder,
"Maurice, Maurice," I say. No reaction. I slap his cheeks. No reaction. He's unconscious.

"He's unconscious," Neill observes, "a bad fuck probably." This will be the last time that anybody uses those words at the party.
"Gohard," I shout, "we need an ambulance."
"We need an ambulance," Godehart answers.
"Somebody must call an ambulance," he continues.
"What's the number?" the rent waiter asks. Godehart doesn't know, of course.
"Nine-one-one," somebody suggests helpfully.
"No, no," I plead, “that's the police, we need an ambulance. Call them directly, that's faster."

The party that isn't going to happen

The police would take Maurice directly to the landfill, better still, they would take his unconscious body to the hospital, with RapeDick in the back blocking Maurice’s neck artery expertly with his thumb, leaving no marks. We’ve seen this in the movies. Maurice will arrive dead on arrival at the hospital, having died of badfuck, a contagious disease, and the night shift directs the body to the morgue where it can chill forever.

I am thinking this very quickly. "Please call an ambulance," I plead in Neill's direction while squatting next to Maurice; I'm trying to feel his pulse. Neill must have been through this before as a restaurant owner, not to mention bad fucks in the upstairs department, he must know how to avoid the police.

Can you read this? (2) (Jacki)

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(Yes, we actually mean it, can you read this?)

(Only 55 out of 100 people can!)

Green Eyes --- Chapter 18: Agatha Cristie (teaser)

First watch this:



and now read this (the opening lines of Chapter 18):

Alex had already left his perch as a grand horizontal when I woke up. Better even, or worse, the sheer fact that I could fall asleep testifies to his untimely departure, since nobody, not even straight people, would be able to fall asleep with the Green Eyes on top of you. And I slept, because I had my usual morning glory, and I was alone, as outlined already, no external stimuli present, only my sleep, and sweet dreams perhaps that I don't remember. I'm too old for spontaneous erections, it's either sexual or it's sleep (not quite true, I remember now, I had one just yesterday, but still). Sometimes I have trouble falling asleep, and sometimes I don't know whether I did actually fall asleep before awaking in the middle of the night, but then I feel my boner, and know I slept, realizing that my sleeping is better than feared, and thus comforted fall asleep again (only to wake up at a later time with another boner (I think I should stop now)).

For selected chapters of the Green Eyes, go here.

If the shoe fits

Second draft